Fusion by FloVerse vs Weeping Wall

Fusion is an interactive and expressive multimedia MIDI and OSC controller. Our simple, yet powerful, interface allows users to experiment with built-in graphics while also providing MIDI / OSC control using real-time sensor data such as 3D motions, audio (microphone) and heart rate/digital crown (Apple Watch). CONNECTIVITY: Connect to MIDI compatible software and hardware via Bluetooth MIDI, USB or WiFi. Connect to OSC compatible software using the local network/IP Address (e.g. WiFi). Note: Our app asks for permission to use Bluetooth to send Bluetooth MIDI from the phone to compatible hardware. Display the in-app graphics on an external monitor using an HDMI connector/dongle. SUPPORT & COMMUNITY: Comprehensive support for Fusion can be found on our website at floverse.ca/support. Users can also connect with other artists in our FloVerse Discord community via the in-App link. Our website also offers pre-built Ableton templates and how-to guides. COMPATIBILITY: While highly compatible with iPhones and other devices, lag in MIDI output from the Apple Watch can occasionally occur. Enjoy effortless MIDI / OSC generation with our app and explore limitless creative possibilities. Minimum recommended is iOS 16.0 or above and Apple Watch OS 8.0 or greater. Known compatible DAW software for Mac: Ableton Live, Logic Pro X, FL Studio, Reason, Cubase, Reaper, Studio One and more. Known compatible software for iPad: FL Studio Mobile, Synth One, Nanostudio 2 and more. Fusion also works with non-musical software (e.g. TouchDesigner, Resolume and Isadora) that support control via MIDI or OSC. DATA USE & ACCESS: Healthkit permission is requested because it is required to access Apple Watch data such as the heart rate.

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.