Salome vs Weeping Wall

Salome is a tool for recording (or importing) sounds, turning them into seamless loops, and then polyphonically play them using MPE or MIDI. CONTROL: The onscreen keypads can be latched, turning them into 2-dimensional faders for controlling various modulations. Additionally, software and hardware MPE controllers can be used (or normal MIDI, in a pinch). WORKFLOW: The entire process from sampling to playing was designed to be a fast and fluid as possible. Speed > features. UNIVERSAL: AUv3 plugins for iOS (iPhone, iPad) and MacOS (ARM, Intel) are included*. - Full Audio Unit compatibility (note that not all hosts support all AU features) - Built-in MPE keypads for multidimensional onscreen control - MPE/MIDI input and output from the Audio Unit, so you can record your performance or even control other MPE synths - 12 mode filter, based on the Oberheim Xpander design - Latch-mode lets you play the instrument using faders - Basic standalone mode included (for connectivity use the AU plugin) - Record or import sounds (WAV, AIF, MP3) and instantly play them as a polyphonic instrument - Effortless seamless loops using the non-destructive X-Fade feature Find the user manual on ruismaker.com * not all MacOS DAWs fully support Audio Unit plugins. This is not a VST plugin.

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.