Ringotron vs mididelay

Ringotron allows taming the strong transformational effects of traditional ring modulation, opening up a wider range of possibilities in sound design and audio FX. Its multi-band design enables fine control over which parts of the spectrum will be transformed by the effect. A special soft mode is available that borrows concepts from feedback modeling, which can be used to reduce intermodulation effects that are often a limiting factor in the more general applicability of ring modulators. In addition to the layers of control they provide, combination of these core features also allows the plugin to act as a stereo, multi-peak resonant filter that can also smoothly morph into a ring modulator. FEATURES: • 2 parallel ring modulator units (max. modulator frequency: 8 kHz) • Stereo separation can be added to band center, mod. frequency, mod. phase • Ultra-narrow bands can be used to create highly resonant sounds • 4 large ribbon controls for band center and modulator frequencies • Band center frequencies can be modulated by the built-in modulation system • Tempo syncing can be independently configured for each oscillator • Built-in soft limiter and clipper to protect against volume spikes IMPORTANT INFORMATION: The plugin comes with a zero-latency, non-brickwall soft limiter, and as such, its stopping power is limited. Make sure to always leave enough headroom or use an external brickwall limiter for total protection against powerful transients. Alternatively, a built-in soft clipper is also available. PLEASE NOTE: • AUv3-compatible host app is required • Suported sampling rates: 44.1, 48, 96 kHz

mididelay is an implementation of traditional delay effect adapted for the MIDI data. It features: • 8 independent delay lines with feedback • Each delay line can process MIDI notes, control change, aftertouch, polyphonic key pressure and pitch bend messages. • For the feedback, the “feedback level” is applied to the messages; note messages change velocity and all other messages can be mixed with previous values using one of three modes (average, minimum and maximum value) • It’s possible to organise delay lines in different possible ‘algorithms’, sequentially and/or in parallel • There are three effects available inside delay’s feedback chain: scale quantise, pitch and velocity value operations randomisation • Each ‘preset’ contains 3 independent scenes marked “A”,”B” and “C”, it’s possible to cross- fade between them and adjust overall amount of the effect with 2D pad. • Simple mode : only one delay with scenes morphing. Standalone and AUv3