FrameUp vs Timecode Shot Log

FrameUp is the essential director’s viewfinder for professional filmmakers. It combines an uncompromised viewfinder with highly customizable and intuitive controls to help you visualize and create your best shots. Using your phone, you can simulate any combination of lenses and sensors, while aspect ratio overlays allow you to monitor exactly what will appear in the final image. When you find the frame you like, just double-tap to save an image with metadata burned in to share with collaborators. Features: Full-Screen Viewfinder by Default – FrameUp focuses on the viewfinder. As soon as you launch the app, you are greeted with a large viewfinder without distractions. This lets you immediately start lining up your shots. Stills Capture – Double tap on the viewfinder or use iPhone 16’s Camera Control to capture a still of your frame. These stills include information about the lens, sensor, and aspect ratio used; ideal for sharing location scout previsualizations with your team. Stills Library – FrameUp Pro's built-in stills library allows you to quickly reference your frames on set. Location information, heading, and configuration information are saved for easy access. (FrameUp's base version saves stills to your phone camera roll.) Large Library of Included Cameras – FrameUp is updated regularly with camera support. It’s easy to file a request for your specific camera. Sensor Formats – Specify which mode your sensor is in. For example, Super 35, Anamorphic, DCI 4k, etc... Support for more cameras is prioritized by popular request. Fully Featured Base Version – The base version of FrameUp has all the features needed to craft shots; a great option for students and budget filmmakers. The optional pro upgrade brings more customizable features, professional workflows, and removes the minimal FrameUp branding on the viewfinder. Navigable With Muscle Memory – Use swipes and gestures to control FrameUp without having to search for buttons. Intuitive Quick Settings – One tap brings up a customizable quick settings screen, which allows you to configure FrameUp without leaving the viewfinder. Optical Adapters – Accurately simulate teleconverters and speed boosters within FrameUp. LUTs Support – Import and monitor show LUTs right in your viewfinder. .cube LUTs are supported in REC.709 and ACES CCT colorspaces, allowing you to use the LUTs you already have. Overlays – Use and customize professional overlays to help you frame your image. Includes support for the golden ratio, a secondary aspect ratio, customizable grids, and more. You can optionally export your images with overlays burned in. Designed for Performance – FrameUp’s image pipeline is optimized for Metal and your iPhone’s GPU, resulting in a smooth and responsive experience. Broad Lens Set and Camera Support – Choose from a large library of sensors and lens sets to quickly configure FrameUp to match your setup. Refined for Professional Workflows – FrameUp has been designed for use on fast-moving film sets. You can lock in your sensors, focal lengths, and aspect ratios for your project ahead of time to reduce cognitive load during production. Lock Screen Launch – Access FrameUp quickly straight from an iOS 18 Lock Screen control. Camera Control – Use the iPhone 16 series Camera Control to easily change essential viewfinder settings and capture stills. Privacy and security are core to FrameUp; personal information is not collected, and there are no ads. Promotional stills from the music video Two Kinds of Sadness by Box of Matches

Timecode Shot Log is a stopwatch for film and video sets: time your takes in timecode, log them shot by shot, and hand the log to editorial. ■ Time to the frame • Nine frame rates: 23.976, 24, 25, 29.97, 30, 48, 50, 59.94 and 60 fps • Drop-frame (DF) or non-drop (NDF) at 29.97 and 59.94 • Set a start timecode to count along with your camera • Found an offset from the camera after the shoot? Enter it once and every earlier mark is corrected • Show time as timecode, frames, seconds, or feet + frames (35mm 4-perf) • Free Run (keeps counting like a clock) or Rec Run (advances only while you mark) • Mark IN and OUT, or IN only • Cue counter: a 1–30 second count-in that marks IN automatically at the end • The clock time of each mark is kept alongside ■ Log each take (Shot Log) • Scene numbers (such as 12A) and take numbers that advance automatically and can be edited • OK take marks, comments and location • Delete, reorder, nudge by ±1 frame, and edit several takes at once ■ Hand off to editorial (In-App Purchase) • PDF take list, ready to email • Take List CSV for spreadsheets • Markers for editing apps: EDL, Marker XML, Marker CSV and Standard CSV • Share all the formats you chose in one go ■ Apple Watch (In-App Purchase) • Start, stop and mark from your wrist, with a haptic tap for every mark • Cue counter and log (undo the last mark) • Sync: when iPhone or Apple Watch joins the other's session, both keep the same list of marks • Out of range, Apple Watch keeps timing on its own and catches up when it reconnects • Offset, units, and scene and take edits are made on iPhone ■ About the purchase • Timing, marking and the Shot Log work without purchase • Export, the Apple Watch app and Sync are unlocked with a one-time In-App Purchase • The Apple Watch app unlocks after you purchase on iPhone ■ Also • Works with VoiceOver • Your logs stay on your device. No data is sent to the developer