iVCS3 vs iOptigan

iVCS3 Official EMS VCS3 emulator The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case. The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3. Description The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together. Keyboards controller DK1 keyboard controller Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released. (See: en.wikipedia.org/wiki/VCS3)

This is the Optigan for iOS. The Optigan, short for Optical Organ, was a chord organ from the early 1970’s. It is remembered today for its unique system of sound reproduction using optical discs. These LP-sized film discs were optically encoded with 57 concentric tracks, which contained loops of musical combos playing chord patterns in different styles. Each disc contained a specific style of music (Bossa Nova, Big Band etc) which the user could control by pressing the chord buttons. Changing the discs was as simple as putting a new record on your turntable. Think of it as the 1971 version of GarageBand. Despite this novel technology, the scratchy sound of the Optigan left a lot to be desired. The iOptigan we present here truthfully recreates that lo-fi sound. 25 of the original 40 discs are included, the remaining 15 can be purchased individually or all together in the Complete Pak. Specifications and Features: • Disc loading rigth-side-up or upside-down • Spring Reverb (virtual) • Optical Metronome • Audio Demo for each Disc • MIDI in/out • MIDI chord detection • MIDI File Import • Sequencer with Record and Playback • Sharing for songs as Audio and MIDI File • iTunes File Sharing • Inter-App Audio • Smart background audio • Help overlay • Headphone optimised stereo (optional) • Radio Mode for Chord Buttons or Keyboard • Comfortable speed control in semitones or BPM