Streichfett vs ANALOGySAW

The sound engine of the legendary Waldorf Streichfett hardware is now available for iPad including AUv3 format. The Streichfett takes you back to the days of the legendary String Machines. In the old days, there was no choice – to create a massive wall of sound, you simply needed a String Machine. It was the time when composing contemporary music had no resemblance to doing your annual tax return on a PC. It was the golden years of rock and pop, when even keyboard players simply plugged their instrument into the amp and started playing, instead of labouring over endless preset lists in search of the perfect sound. Now there is Streichfett – and the good old days are coming back. Experience what a real String Synthesizer sounds like. Experience how a homogeneous, extremely dense, floating web of sounds can be created from a raw, basic electronic sound in just a few simple steps. Streichfett combines the best of the previously extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic String Section and an eight voice Solo Section, which is essential for recreating classic movie sounds from the 70s and 80s. The Ensemble Effect provides depth and movement to the String Section, while the Effects Section adds adjustable Phaser and Reverb effects. Additionally, the Animate Effect can be used to modulate the Strings Registration, allowing spectacular sound morphs. The Solo Section offers presets named Bass, E-Piano or Clavi, and just like with a typical String Machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the String Section. Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable of delivering rich and creamy pads unlike any other instrument.

ANALOGySAW Super Saw Synth (AUv3) ANALOGySAW is a virtual instrument plugin that can run standalone, or in any AU compatible host such as Logic Pro or GarageBand. Please note that the standalone version does not include a built-in keyboard - you need to connect a suitable MIDI device to play the synth. Overview ANALOGySAW is a tribute to the "super saw" digital synths from the 90's, wrapped up in old-school virtual-analog warmth, with a few "ANALOGy" twists. Featuring up to five unison saw wave oscillators per voice, and ten voice polyphony (*) with detune, drift and stereo spread options, ANALOGySAW might be your new favourite mini synth for big STEREO atmospheric pads, or dreamy EDM textures. Breaking from the "super saw" tradition, the number of unison oscillators for a voice is continuously variable between one and five, allowing for some interesting "in-between" sounds not available on other synths. Spread is applied to the unison oscillators so every note you play can have a big stereo image, and ten note polyphony remains consistent regardless of the number of unison oscillators. The virtual analog vibe is also well represented with randomised drift for the voice oscillators and modulation LFOs. ANALOGySAW also breaks slightly from the "ANALOGy" family tradition by offering a full ADSR amp envelope, a 24dB "ladder" filter, and a separate modulation section with dedicated LFOs for pitch and filter modulation, plus filter envelope. (*) About Voices and Oscillators Sometimes these terms are interchanged in a confusing way, especially in the case of super-saw synths. For ANALOGySAW, a voice corresponds to a note that you play, and you can play up to ten notes before "voice stealing" occurs. Each voice has up to five oscillators each, so you can think of ANALOGySAW as a 50 oscillator synth! MIDI Implementation ANALOGySAW is a 10 voice polyphonic velocity-sensitive MIDI instrument and is playable over a keyboard range from A0 (21) to C7 (96) on any MIDI channel. ANALOGySAW also responds to mod wheel, expression / volume (CC#11), sustain (CC#64), all notes off (CC#123) and pitch-bend (+/- 2 semitones). About The UI Not everyone likes the UIs of my latest (2025) plugins - I get it. However, the simplistic and generic approach allows me to (a) 99% focus on the DSP, sound quality and CPU performance, and (b) significantly reduce the development (and potential maintenance) time, which is reflected in my pricing. For more info and support please visit: www.waverley-instruments.com/robjackson