PolyPipe vs ChordSmith

PolyPipe is a multi-lane, polyphonic AUv3 sequencer plugin designed for creating evolving musical patterns rather than fixed, repetitive loops. Instead of thinking in terms of a single step sequence, PolyPipe lets you build multiple independent lanes, each with its own rhythm, pitch logic, octave behavior, probability, and modulation data — all running together as a coherent musical system. It comprises elements of some of my favourite sequencers of all time, all rolled into a single interface. At its core, PolyPipe takes incoming MIDI notes (or internally generated notes) and uses them as a musical “seed.” These notes are then processed through patterns, scales, transposition rules, and step logic to generate new musical phrases in real time. This makes it especially suited for generative music, complex arpeggiation, bass-and-chord splitting, and long-form evolving sequences. Each lane in PolyPipe is its own sequencer voice. A lane contains one or more patterns, and each pattern is made up of steps. Steps don’t just define when a note plays — they can also define how it plays. A step can include pitch offsets, velocity, gate length, strumming, probability, repeats (ratchets), ties for legato behavior, and even chord information. Patterns can be enabled or disabled independently, shifted by octaves, and combined with global transposition. Because lanes can have different lengths, directions, and step modes, the resulting sequences naturally phase against each other, creating variation without manual intervention. PolyPipe applies musical logic at the MIDI output stage rather than hard-coding notes upfront. Pitch values can be forced into a chosen scale and key, allowing even highly experimental patterns to stay musically coherent. Different step modes (such as forward, backward, ping-pong, random, chord, bass, or hybrid note/chord modes) let each lane behave differently, from traditional arpeggios to controlled chaos. PolyPipe Sequencer is built for musicians who want to explore ideas quickly, create unique patterns, and discover results they wouldn’t think to program manually. It rewards experimentation: small changes to probability, repeats, or step logic can dramatically alter the musical output while staying rhythmically locked and musically usable. PolyPipe Features ○ Multi-Lane Sequencer: with 4 independent lanes. ○ Pattern-Based Structure: where each lane contains multiple patterns. ○ Advanced Step Parameters: including pitch offset, velocity, gate length, auto-roll, repeats (ratchets), and legato ties. ○ Chord-Aware Steps: allowing steps to trigger chords, rotated voicing, or individual notes depending on lane mode. ○ Multiple Step Modes such as Up, Down, Ping-Pong, Random, Drunk, Chord, Bass, and hybrid note/chord modes. ○ Chord Strumming: allowing guitar like strumming patterns. ○ Polyrhythmic Playback: through lanes and patterns of differing lengths and directions. ○ Probabilistic Sequencing: with per-step chance and variable repeat behavior for evolving patterns. ○ Octave Transposition Control: per pattern and globally for rapid harmonic variation. ○ MIDI CC Sequencing: allowing lanes to output modulation data. ○ Real-Time MIDI Interaction: where incoming notes influence pitch selection, chords, and playback behavior. ○ Live-Safe Parameter Editing: with immediate feedback and no need to stop playback. ○ Generative-Focused Design: optimized for long-form evolving sequences rather than static loops. ○ Long Patterns: up to 32 steps in length, chain-able up to 128 steps. ○ 4 MIDI Output Ports: allowing each of the 4 phase-locked arpeggiators to be routed to a different instrument. ○ Global Swing: allowing 8th- and 16th-note swing across all 4 arpeggiators. ○ Rhythm Generator: creates rhythmic patterns that are none chord/scale specific.

Chordsmith is a chord finder, a chromatic tuner and a drum machine built for the same instrument — yours. Sixty of them, from six-string guitar and four-string bass through banjo, mandolin, ukulele, violin, cello and double bass, and on to the bouzouki, oud, guzheng, sitar, koto, nyckelharpa, balalaika, charango and kantele. CHORD FINDER Pick a chord and see how to play it on the instrument in your hands, in up to 100 voicings, ordered from the easiest shape upward. Change the tuning and the shapes change with it — every voicing is computed for the strings you actually have, not looked up in a table for standard tuning. DADGAD, drop D, open G and every other preset is one tap away. CHROMATIC TUNER Five displays to choose between: a sweep needle, a strobe for last-cent work, chromatic spokes, a continuous note strip, and one you will want to see for yourself. Every instrument carries its own tunings, drop and open included. Set your reference by ear as well as by number — play a note from a piano, a drone or another player's instrument and the app takes its pitch as the tonic, which is how you tune to an ensemble that is not at A=440. METRONOME AND DRUM MACHINE Ten kits — standard, click, electric, 808, Latin, cajón, djembe, darbuka, tabla and taiko — and twenty-seven feels, from straight eighths and a swung shuffle through son and rumba clave, bossa nova, the reggae one-drop, bembé, tresillo, maqsum and malfuf. Tap tempo, a BPM counter, compound and odd meters, and an accent pattern you edit, so 7/8 sounds like the 7/8 you are counting. CHORD DETECTION Play a chord and the app names it, tracks the key as you go, and keeps a running transcript of what it heard. The spectrum analyser runs on the room rather than on a preset, so it works with no instrument selected at all. NINE TUNING SYSTEMS Equal temperament, and the ones that came before it: Werckmeister III, quarter-comma meantone, Vallotti, Young II, Kirnberger III and Pythagorean, with a temperament octave for tuning a piano, harpsichord or clavichord by ear. Quarter-tones as 24-TET for maqam, and Thai equidistant 7-TET for the krachappi, the phin and the saw. SIXTY INSTRUMENTS Guitar in six, seven and eight strings and the Russian seven; bass in four, five and six; ukulele in three sizes; mandolin, five-string and tenor banjo, violin, viola, cello, double bass and the Hardanger fiddle; cavaquinho, viola caipira, vihuela, guitarrón, bajo sexto, cuatro, charango, bandurria and laúd; Greek bouzouki in tetrachordo and trichordo, the Irish bouzouki, Turkish and Arabic oud, bağlama, gambus; erhu, pipa, guqin, guzheng, koto, gayageum, shamisen, sanshin; sitar, tanpura, veena and the Carnatic violin; balalaika, domra, dombra, morin khuur, nyckelharpa, kantele; krachappi, phin, saw duang, saw u and the đàn ghi-ta phím lõm; piano, harpsichord and clavichord. BOUGHT ONCE Fourteen days to try everything, then one purchase, yours for good. No subscription, no account, no advertising. The tuner and the detector run entirely on your device — nothing you play is recorded, uploaded, or sent anywhere. The app works with no network connection at all, which matters more in a rehearsal room than it does in a shop.