Grainsmith Field vs Coastline

Grainsmith Field is a granular instrument for iPad and iPhone. Load a sound or record one live, then pull it apart into grains. Stretch and scatter it until it stops sounding like the source, or pitch it and play it like an instrument. It shares its granular engine with our desktop Grainsmith plugin, but it's rebuilt for touch. Field is a single multitouch screen: four XY pads control paired parameters (Density and Size, Jitter and Spread, Pitch and Reverse, Cutoff and Resonance), and a Morph control sweeps several at once. THREE PLAYHEADS Run up to three independent grain streams from one sample at the same time. Each head has its own position, speed, pitch, level, pan, grain size, and spread. Grab a playhead line on the waveform to move it independently, or move them as a group. Double-tap to gather them. Set a second head a fifth or an octave away and the streams blend into a single granular texture. MODULATION Six modulation slots drive the controls: LFOs and Euclidean patterns with per-route depth, assigned by long-pressing a knob. The MOVE dial sets the Morph macro itself in motion, and each destination drifts on its own phase. Rates sync to tempo, in the app or from the host clock. RECORD AND MANGLE Capture audio from your hardware input and granulate it as it comes in, or loop a phrase and let the engine chew on it. Scrub the waveform directly. Freeze the grain cloud to hold a sound for as long as you want. Run the stereo delay to smear the grain tails into echoes; it syncs to tempo too. Export captures as WAV to the Files app. RECORD YOUR PERFORMANCE Start a recording from the presets menu and everything you play is captured to a WAV file. Keep playing through app switches and screen locks; a Lock Screen Live Activity shows while recording runs. Recordings save to the Files app and share straight from Field. PLAY IT AS AN INSTRUMENT Switch to Instrument mode and play the grain engine from a MIDI keyboard: four-voice polyphony, an attack/release envelope, and a root-note control. The pitch ribbon snaps to musical intervals: Free, Chromatic, Scale, Octaves, or Oct+5ths, with twelve scale options and a probability control. Works with hardware MIDI in the standalone app and with host MIDI in AUv3. USE IT IN YOUR HOST The AUv3 music effect loads in AUM, Logic for iPad, and other AUv3 hosts. Parameters are exposed for host automation and MIDI learn. Your patch saves and restores with the session, including head count, every per-head control, the modulation slots, and pitch snap mode. ALSO IN THE BOX - Ten factory presets grouped by character, with a browser and a Favorites section for your own - Background audio: the standalone keeps playing when you switch apps - Reverb, stereo delay with tempo sync, filter, grain-shape windows, pitch randomization - Runs on iPhone with a compact layout No account and no subscription. Field collects no data.

Atmosphere machine. Texture generator. Harmonic workstation. A dual-engine audio sustainer with intermodulation, advanced filtering, support for custom samples, and more – all in the service of adding depth and character to your music. Coastline uses a combination of additive and granular synthesis to stretch sounds infinitely. It creates complementary ambience for any sound or composition. It brings a textural “je ne sais quoi” that makes your tracks stand out and feel more alive. Move as quickly as you want: slap it on a track for instant atmosphere, or use it as the recording and processing hub of entire compositions. All recordings happen immediately and automatically – set one volume threshold, and sit back. ENGINES AND EFFECTS • Tide – an additive synthesizer for reimagining sound. Control which frequencies of the input are mapped to oscillators, rebalance them to highlight harmonic or inharmonic characteristics, and introduce new frequencies with waveshaping. • Glade – a granular synthesizer that stretches sound forever with no clicks or transients. Balance the original timbre of your sound against Tide’s distillation of it. • Audio Matrix – route any channel in Coastline to intermodulate another. Create unique harmonic distortions, or load samples to introduce a completely new texture. Includes built-in field samples for naturalistic textures. • Filter – a multi-mode filter for all audio in Coastline, featuring feedback modulation, stereo spread, and independent per-channel controls. • Reverb – a downsampling reverb with a highly configurable chorus section for blending the results of Coastline and introducing another layer of texture and modulation. FEATURES • Modulation – modify any control in Coastline with multiple LFOs, sequencers, smooth random sources, and performance effects. • Presets – full preset control over every parameter in Coastline. Cross-platform preset format for sharing with friends. • Waymaker – connect to Coastline’s sibling application, Waymaker, for sequencing and additional control over the pitch of Coastline’s output. Includes 20+ presets by Peter Bark and imago meri. Also available for macOS and Windows in VST3 / AU / AAX formats from Aqeel Aadam Sound.