Pentaholic Synth vs bitcrust

Pentaholic is the first digital recreation of the Gleeman Pentaphonic. It's audio signal path is traced at the component level and built specifically for Apple Silicon devices utilizing native Metal 3D graphics featuring classic and clear UI. In 1982, the Gleeman Pentaphonic was released as a "sketchpad synth" with a 300-note polyphonic sequencer boasting 5 voices, 3 digitally controlled oscillators per voice, and 8 waveforms per oscillator, all from an 8-bit microprocessor. After DAC, a trio of CEM chips per voice passes the audio: a 3310 envelope generator, 3320 configured as a 24dB low-pass resonant filter, and a 3360 as dual voltage-controlled amplifiers. Each subsequent stage of audio is summed out to a LM348 op amp, stacking saturation through to output. Add performance controls like expression pedal inputs and a joystick for modulation and pitch bend for a performance powerhouse synth. Pentaholic brings the circuit to life in the digital realm for the first time ever on any platform. The concept of a sketchpad synth was the main inspiration for this - getting back to the fundamentals of songwriting and sound design. Pentaholic is meant to inspire ideas faster and prevent Producer Paralysis induced by too many options on the piano roll. Record your idea to the sequencer and play over it - the keyboard takes precedence over the sequencer notes so you can nail down your melody or adjust your groove with the rate and delay of the sequencer. • Authentic 5-Voice Polyphony: True chorusing detune of OSC 2/3 relative to OSC 1's pitch (not BBD!) - oldest note first voice stealing. • 3 Oscillators Per Voice: 8 waveforms CMP 1 CMP 2 3% PULSE 12% Pulse SQR SAW TRI SIN per OSC and a HIGH or LOW octave mode. • One octave of chromatic pitch: transposing progressions or leads just like you put a capo on a guitar. • Component-Level Modeling: The soul of the synth - a 24dB resonant low-pass filter - self-oscillation, and nonlinear harmonic drive of the legendary CEM 3320 filter chip for a distinct bite with each subsequent gain stage pushing into saturation through a LM348 op amp. • Dual ADSR Envelopes: Precise, vintage-snappy envelope generators for exacting control over amplifier and filter contours. Subtle noise and quick snap attacks from resistor-capacitor networks the envelopes pass through. • The Polyphonic Sketchpad Sequencer: A massive 300-note sequencer honoring the original hardware workflow. Recording polyphonic chords in real time and yielding to performance on the keyboard in playback. • Joystick and expression pedal hookups: +/- 5 step pitch bend, modulation of depth of the LFO destination and cutoff expression all from the joystick even more control with expression pedals. Pentaholic honors the original but Gotham Paradise recognizes the value and convenience of advances for performance available from soft-synths, MIDI 2.0 and Bluetooth. • *MIDI Polyphonic Expression - *MIDI Learn - *6 Octave Pitch Change - *Master Volume - *Re-assignable joystick 0 to 5 steps - *Sync'd parameters for glide, sequencer rate/delay, LFO rate - *Game controller performance using scales to the directional pad and ABXY buttons, stick click sequencer recording and playback - Bluetooth MIDI controller Connectivity *Pentaholic is fully functional from download but the following features are accessible with in-app purchase *Sequencer Volume *Keyboard Volume *Master Volume *6 Octave Pitch *Unison *Sync'd Parameters *Recall or Automation of parameters when hosted in a DAW such as Logic for iPad or Garageband *User Preset Saving *MIDI Learn/MIDI CC Parameter Assignment *M.P.E. *Sequencer records and plays back but resets when stopped *MIDI export of recorded Sequences *Game Controller Performance Mode *Reassignable Joystick Pitch bend Keeping Pentaholic's core functionality free for young and new producers who can't afford the full version is important to Gotham Paradise, purchasing the full featured synth helps pay it forward.

bitcrust is a polyphonic synthesizer built around a SID-style voice architecture: three oscillators per voice, up to twelve voices, with ring mod, hard sync, and the pulse-width behaviour that defined a generation of 8-bit sound. The DSP is an in-house, clean-room implementation written from the public MOS 6581 register map and general DSP literature. It's not an emulator port, so bitcrust sounds SID-adjacent without inheriting the license constraints that keep most SID-inspired tools off the major app stores. Sonically it sits between a chip synth and a modern subtractive. The voice core still does gritty arp basses, zap leads and 8-bit percussion, but the architecture around it (three LFOs, a per-voice mod envelope, an 8-slot modulation matrix, and a 6-slot post-SID FX rack with drive, bitcrusher, tempo-synced delay, chorus, reverb, compressor and limiter) pushes it into pad, keys and texture territory. WHAT THIS PURCHASE INCLUDES Universal Purchase: one price buys the Mac app plus the iPad version (Standalone and AUv3). On the Mac, the App Store build is the Standalone app only. No AU, no VST3: the Mac App Store doesn't distribute plugin formats. AU and VST3 versions are available separately; details at anode-labs.com/bitcrust. The iPad build is a co-equal target, not a downscale. The full 179-preset factory library, all 14 themes, and the complete mod matrix and FX rack ship on both platforms. • Voice core: 12-voice polyphony, 3 oscillators per voice, SID-style triangle / saw / pulse / noise with hard sync and ring mod, per-VCO ADSR • Filter: global VCF (LP / BP / HP) with live curve, selectable 6581 / 8580 chip model, Vintage vs. Modern oscillator mode • Modulation: 3 global LFOs (7 shapes, host-sync or Hz), per-voice mod envelope, 8-slot matrix, MIDI sources (velocity, poly AT, channel AT, mod wheel, pitch bend) • FX rack: 6 slots, drag-to-reorder, per-slot bypass / mix; Drive (5 modes), Bitcrusher, Delay (tempo-sync), Chorus, Reverb, Compressor, Limiter. Every FX parameter is a modulation destination. • MIDI: 16-step sequencer, arpeggiator (Up / Down / UpDown / Random, 6 rate divisions, octave range), MIDI Learn on every knob, note Hold • Presets: 179 factory patches across 10 groups, full-metadata save (author, description, tags), Preset Preview audition without committing, A/B snapshot compare, XML import / export • UI: 6-tab navigation, 14 themes with optional phosphor / CRT overlays, monitor strip (oscilloscope, vectorscope, FFT spectrum, 3D spectrogram, stereo field), QWERTY note typing from any tab Mac: Standalone app, universal binary (Apple Silicon + Intel), macOS 12 (Monterey) or later. iPad: AUv3 extension plus a Standalone for headphone jamming. In-DAW use on iPad needs an AUv3 host (GarageBand, Logic Pro for iPad, AUM, Cubasis and so on). Support: https://anode-labs.com/bitcrust · support@anode-labs.com Privacy policy: https://anode-labs.com/privacy