VA vs MultiComb

VA-1 is a focused virtual-analog synthesizer for musicians, producers, and sound designers who want a fast, hands-on way to create their own sounds. Play, sequence, record, and shape sounds from one direct interface inspired by classic hardware synths. No subscription. No in-app purchases. No ads. No account required. — SYNTHESIZER — • Up to 16-voice polyphony • Two oscillators plus a sub oscillator • Independent oscillator noise controls • Multi-mode filter with resonance • Amp and filter ADSR envelopes • One LFO per voice • Chorus, phaser, delay, and reverb effects Explore the included factory sounds, customize any preset, mark favorites, and save your own creations. — SEQUENCER & WAV EXPORT — Record and loop sequences while shaping the sound, change the pattern length, or use KEY mode to transpose a sequence from the keyboard. Capture VA-1’s stereo output while you play, then preview, save, or share the recording as a WAV file. Sequencer loops can also be exported directly to WAV using the current sound, tempo, and effects. Recording captures only VA-1’s internally generated output. It does not use the microphone or record audio-interface inputs. — MIDI & AUv3 — • External MIDI input and output • Send MIDI from the keyboard or sequencer to external instruments • MIDI Learn for mapping hardware controls • Standard MIDI CC support • AUv3 instrument support in compatible hosts • Background audio • Support for class-compliant USB audio interfaces — ONE PURCHASE, ALL YOUR DEVICES — VA-1 is a universal purchase. Buy it once and install it on iPhone, iPad, and Mac at no additional cost.

MultiComb turns a bank of moving comb filters into a playable sound-design effect. Four independent comb voices create shifting resonances across the stereo field, each moving with its own timing, spacing, and character. Smooth modulation keeps the bank alive while Bite introduces stepped sample-and-hold disturbances that push individual combs into new resonant relationships. The result can move from hollow coloration and subtle animation to metallic ringing, mechanical movement, fractured resonance, and unstable tonal textures. MultiComb works across drums, vocals, pads, guitars, percussion, and full electronic textures—but it especially comes alive on leads, basslines, arpeggios, plucks, and other short-note sequences. Individual notes excite the comb bank differently, turning simple melodic or rhythmic patterns into animated, resonant phrases. Teeth reshapes the fundamental comb structure. Motion keeps it moving. Spread pulls the voices apart. Feedback lets resonances ring. Color moves from dark and hollow toward bright, steel-like character. And then there’s Bite. Bite introduces independent stepped disturbances across the comb bank. At restrained settings it adds little irregular catches and tonal shifts. Push it harder and the resonances begin snapping into fractured, metallic relationships of their own. Seven controls. Four combs. Lots of teeth. Features Four independently animated comb-filter voices Moving, evolving resonant structures Independent sample-and-hold disturbances across the comb bank Wide stereo spreading and voice separation Dark, hollow through bright, metallic tonal character Controlled high-feedback resonance Smooth continuous motion combined with stepped instability Particularly expressive on leads, basslines, plucks and short-note sequences Factory presets ranging from subtle coloration to fractured metallic textures