DoomLoop vs Wave Slicer

DOOM LOOP is a stem-based loop machine built from the Doom Cougar catalog. Seven channels — kick, bass, snare, hats, acid, perc, and FX — each loaded with eight loops pulled from real Doom Cougar tracks. Tap a pad to bring that loop in. Tap another to swap it out on the next bar. Everything stays at 138 BPM. Everything stays in time. There is no beat-matching, no syncing, no waveforms to wrestle with. The tempo is fixed. The bars are fixed. The loops swap clean. WHAT'S IN IT - 56 loops from the Doom Cougar catalog — Crease, Creature, Hematoma, Mothers Milk, Parlor Floor, Savage Wit, Shag Chain, Yule, and more - 7 channels — one loop at a time per channel, plus a one-shot FX channel for stabs and vocal hits - 138 BPM master tempo with every stem pitched to match - 3-band EQ on every channel — low, mid, high - Independent volume on every channel - Per-channel lock — protect a loop you like before randomizing - Random — roll the dice on every unlocked channel, queued to the next bar - Bar / beat indicator with 4-LED beat readout HOW IT WORKS Tap a pad to load that loop. If a channel is already playing, the new pick is queued — it swaps in clean on the next downbeat. No bumps. No dropouts. No drift. Lock the channels you want to keep. Randomize the rest. Walk a track from a stripped-down kick-and-acid groove into a full mix and back without touching the play button. This is Doom Cougar's catalog, taken apart and handed back to you. Build new tracks. Wreck old ones. Nothing here gets out of time. 138 BPM. 7 channels. 56 stems. One bar at a time.

Wave Slicer cuts a sound down to the piece you actually want. Load a track, record something, or send a file to it from anywhere on your phone — then zoom in until you can see the individual samples and cut exactly there. WHAT IT DOES A waveform that stays smooth on a ten-minute file and keeps going down to sample level. Drag the edges of a selection, slide the whole selection along, or draw a new one. Every edge snaps to a zero crossing, so a cut never clicks. A full effect chain that you hear while you turn it. Transpose by semitones, high-pass and low-pass with resonance, tanh saturation, bitcrush and sample rate reduction, echo with feedback, and a reverb that can ring out for eight seconds past the end of the slice. An amplitude envelope you draw by hand. Tap to add a point, drag to move it, bend the curve between two points. The same envelope drawing as the pitch curve in Drum Rack. Fades on both ends, and a loop crossfade that folds the tail over the head so a loop comes round without a seam. Export as a 16 or 24-bit WAV, with TPDF dither on 16-bit. The file lands where you choose to save it, named so you can find it again in a DAW browser. Record straight from the microphone when you want to sample something in the room. Echo cancellation and noise suppression stay off, because those are built for speech and ruin anything worth sampling. Twelve sounds are built in to start with, including two drum loops on the grid, so there is something to cut the moment you open it. WHAT IT DOES NOT DO No account. No sign-in. No advertising. No analytics. No tracking. Audio you load, record or export never leaves your device. The app asks the internet for exactly one thing: a small text file holding the current links shown on the last screen. FROM THE LAB Wave Slicer is part of Lumlux Art Lab, a set of free browser tools for people who make music. The same slicer runs on the website, so you can try it before installing anything. Made in Antwerp by FDR-Sound.