Equalizer Pedal vs Ember

Introducing the Studio Camera Equalizer—a 3-mode graphic equalizer pedal that brings the classic feel of real stompboxes to your iPhone and iPad. Three Modes, Three Classic Pedals • 10 Band: Inspired by the MXR 10 Band EQ, with octave spacing from 31 Hz to 16 kHz—perfect for precise tone sculpting. • 7 Band: Inspired by the BOSS GE-7, covering 100 Hz to 6.4 kHz—the most popular guitar graphic EQ in the world. • 5 Band: Based on the Mesa Boogie Mark IV graphic EQ, with five wide bands from 80 Hz to 6.6 kHz—great for dialing in amp-style curves. Tone Shaping, Done Right • ±12 dB per band: Cut or boost any frequency with smooth, responsive sliders. • Center detent: Each slider snaps to 0 dB (flat) so you always know when you are at neutral. • Master Level: Compensate for any gain changes introduced by your EQ curve. Built for Live Performance • True Bypass: A hardware-style DPDT switch guarantees your dry signal passes through untouched when the pedal is off. • MIDI CC Mapping: Map any MIDI CC to EQ parameters using your host's AUv3 parameter mapping and control your tone in real time. • Stereo I/O: Full stereo processing for instruments, vocals, or bus processing. Designed for Studio Camera The Equalizer is a perfect companion to Studio Camera, giving you professional tone shaping on stage, in the studio, and during livestreams. It loads in any AUv3-compatible host on iOS 17.4 and later. Perfect for: guitarists dialing in their live tone, bassists shaping low end, podcasters cleaning up voice frequencies, and producers wanting classic graphic-EQ curves on the go. Studio Camera Equalizer: Three classic pedals, one AUv3 plugin.

Ember is a full drive chain in one pedal — not another single-circuit distortion. A gritty, tweed-flavored overdrive sits on the bottom, a filthy fuzz runs layered on top, and compression is built in. It's the stacked-amps sound that normally takes three pedals and an afternoon of gain-staging, dialed in with one knob. THREE VOICES WARM — distortion the way it was first discovered: a pushed vintage amp with sliced speaker cones. Raw, retro, and touch-sensitive. Roll BITE up and it tips into blown-speaker sizzle with a starved-supply quiver in the note. DRIVE — everything, more. A doubled, dual-amp crunch straight out of the 1980s. The sustain sings, sizzles, crackles, and rings — and stays articulate. Chords keep their edges; every note in a run stays clear. RAVAGE — unhinged. The amps are on fire and the ship is going down. Stomp BOOST and single notes bloom into screaming, feedback-laced sustain that hangs on for the better part of a minute. Pinch harmonics, smoldering solos, sixties-fuzz recklessness at modern gain. WHAT IT'S FOR • Recording guitar direct — a finished, layered drive tone with no amp, no mics, no reamping. • Replacing a drive + fuzz + compressor stack, and the hour spent making them agree. • Leads that hold: BOOST adds gain, presence, and a sustain compressor that carries the note for you. • Practice anywhere — standalone app, plug in and play. CONTROLS THAT MATTER • DRIVE — one knob from edge-of-breakup to inferno. The molten orb burns hotter as you push it — and as you play harder. • TONE — dark and thick to bright and cutting, with a speaker-style rolloff that keeps fizz out. • BITE — round and smooth to sharp and shredded. • BIAS — starve it for choked, dying-battery textures. • IN / OUT / MIX for gain staging and parallel blends, stereo or mono, click-free bypass. ON STAGE AND IN THE STUDIO • AUv3 for GarageBand, Logic Pro, AUM, and any Audio Unit host. • MIDI learn on everything — knobs, voices, BOOST, bypass, even program-change recall of specific presets. A MIDI footswitch runs the whole pedal hands-free. • Factory presets plus custom presets. One purchase. Mac, iPad, and iPhone.