Equalizer Pedal vs Wave Slicer

Introducing the Studio Camera Equalizer—a 3-mode graphic equalizer pedal that brings the classic feel of real stompboxes to your iPhone and iPad. Three Modes, Three Classic Pedals • 10 Band: Inspired by the MXR 10 Band EQ, with octave spacing from 31 Hz to 16 kHz—perfect for precise tone sculpting. • 7 Band: Inspired by the BOSS GE-7, covering 100 Hz to 6.4 kHz—the most popular guitar graphic EQ in the world. • 5 Band: Based on the Mesa Boogie Mark IV graphic EQ, with five wide bands from 80 Hz to 6.6 kHz—great for dialing in amp-style curves. Tone Shaping, Done Right • ±12 dB per band: Cut or boost any frequency with smooth, responsive sliders. • Center detent: Each slider snaps to 0 dB (flat) so you always know when you are at neutral. • Master Level: Compensate for any gain changes introduced by your EQ curve. Built for Live Performance • True Bypass: A hardware-style DPDT switch guarantees your dry signal passes through untouched when the pedal is off. • MIDI CC Mapping: Map any MIDI CC to EQ parameters using your host's AUv3 parameter mapping and control your tone in real time. • Stereo I/O: Full stereo processing for instruments, vocals, or bus processing. Designed for Studio Camera The Equalizer is a perfect companion to Studio Camera, giving you professional tone shaping on stage, in the studio, and during livestreams. It loads in any AUv3-compatible host on iOS 17.4 and later. Perfect for: guitarists dialing in their live tone, bassists shaping low end, podcasters cleaning up voice frequencies, and producers wanting classic graphic-EQ curves on the go. Studio Camera Equalizer: Three classic pedals, one AUv3 plugin.

Wave Slicer cuts a sound down to the piece you actually want. Load a track, record something, or send a file to it from anywhere on your phone — then zoom in until you can see the individual samples and cut exactly there. WHAT IT DOES A waveform that stays smooth on a ten-minute file and keeps going down to sample level. Drag the edges of a selection, slide the whole selection along, or draw a new one. Every edge snaps to a zero crossing, so a cut never clicks. A full effect chain that you hear while you turn it. Transpose by semitones, high-pass and low-pass with resonance, tanh saturation, bitcrush and sample rate reduction, echo with feedback, and a reverb that can ring out for eight seconds past the end of the slice. An amplitude envelope you draw by hand. Tap to add a point, drag to move it, bend the curve between two points. The same envelope drawing as the pitch curve in Drum Rack. Fades on both ends, and a loop crossfade that folds the tail over the head so a loop comes round without a seam. Export as a 16 or 24-bit WAV, with TPDF dither on 16-bit. The file lands where you choose to save it, named so you can find it again in a DAW browser. Record straight from the microphone when you want to sample something in the room. Echo cancellation and noise suppression stay off, because those are built for speech and ruin anything worth sampling. Twelve sounds are built in to start with, including two drum loops on the grid, so there is something to cut the moment you open it. WHAT IT DOES NOT DO No account. No sign-in. No advertising. No analytics. No tracking. Audio you load, record or export never leaves your device. The app asks the internet for exactly one thing: a small text file holding the current links shown on the last screen. FROM THE LAB Wave Slicer is part of Lumlux Art Lab, a set of free browser tools for people who make music. The same slicer runs on the website, so you can try it before installing anything. Made in Antwerp by FDR-Sound.