Sequentia vs AD

Sequentia is a generative MIDI sequencer for synths, drum machines and modular. Add a module and it writes its own part: drums, basslines, arps, chords, melodies. Press Random and a full pattern is playing. Turn on Mutate and it keeps evolving while it runs. The pattern libraries are written for techno and acid, and the generative modules go further out than that. Seven finished demo tracks come with the app. WHAT WRITES THE PARTS Drums, eight lanes, with the swing each genre actually has. Tops, cymbals, shakers and claves over the kit, on one fader. Bass, sixteen styles from techno to dub to EBM. Acid, 303 lines that really slide. Chords and Arp, in your key, following each other. Stabs, from skank to rave. Piano, drawn by hand or written for you. Euclid, three rings at different lengths, drifting apart and landing together bars later. Rain, notes falling from a drizzle to a downpour. Bounce, physics balls playing your key off the walls. Sampler, your own loop, warped to the tempo and the key. Mod, LFOs that sweep your synth's knobs on their own. Vinyl, a record that turns while the rack plays. Mixer, to solo, mute and balance live. ONE STUDIO, YOUR WHOLE RIG Every module picks its own MIDI device and channel, so each machine gets its own part. MIDI over USB-C, Bluetooth or network. MIDI Clock in and out keeps the gear in time. In any DAW the app is a MIDI source you can record straight onto a track. Leave the app and the music keeps playing, with the controls on your Lock Screen. MODULATE AND CONTROL YOUR HARDWARE Pick your machine from the library and its control map loads, ready to turn: over a hundred and thirty synths, grooveboxes and drum machines, every map read out of its own manual. Put an LFO on any of those knobs and it sweeps in time with the pattern. Arm the red R, turn a knob by hand, and the move becomes a loop locked to the bar. CC coming in works too, so a controller fires Random, Mutate, mutes and the transport. LIVE JAM Every module keeps pattern slots. Fill them as you go and switch on the bar, like clips. Live Performer is one pad for the whole rack: move a finger and every module answers at once with more density, new variations or a break. Fills, swing and humanize are a tap each, while everything runs. SCENES, AND A SET YOU CAN PLAY Save a section as a scene, put the scenes in order, and the timeline plays the set. Or switch scenes by hand while it runs. A project holds several racks, each with its own key and tempo, so a breakdown can sit lower and slower than the drop. ONE PROGRESSION, EVERYTHING FOLLOWS Write the chords once. The basslines, arps and stabs follow the changes. NO HARDWARE YET Every module plays through the app's own synth, free, so a whole track works with nothing attached. Load your own samples into the Sampler, or build a drum kit out of them. EVERYTHING IN ONE PROJECT Notes, patterns, scenes, samples, routing and arrangement live in one project that saves itself. Take the whole thing out in one step: the rack as MIDI, or every scene as its own folder, named so the session opens in your DAW making sense. Samples come with it if you want them. ON IPHONE AND IPAD One app for both. On the tablet the rack becomes a grid of cards you page through, three across on a 13 inch. Menus come in from the right and leave the instrument where it is. Open a module and it steps into the middle of the screen with its settings beside it. Landscape, for a stand and two hands. Turn iCloud on and the same projects, presets and samples are on both devices, in a Sequentia folder you can see in Files. Off until you switch it on. Sequentia is free, and so is the built in sound, Live Performer and CC Control. Sequentia Pro adds pattern slots, scenes, several racks, every drum style, your own libraries, unlimited projects and MIDI export. Terms of Use (EULA): https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://www.sequentia.studio/privacy

We rebuilt the legendary micro composer of 1983, then gave it everything the original owners wished for: eight voices, MPE, a sequencer worthy of the name, and a couple of new dirty tricks. The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware. And the a sequencer: eight patterns of up to 64 steps, drawn right on the panel, with accent, slide, and octave per step, follow actions and repeats, swing, and tools to randomize in a key and scale, mutate, copy, and rotate. Play a pattern from a held key, transpose it from the keyboard, lock it while you browse presets, and run it from its own clock, the host transport, or an Ableton Link session in the standalone. Sequences save with your presets. • Eight-voice polyphony, or the original mono behavior with the flip of a switch • MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing • MTS-ESP microtonal tuning, retuned continuously while notes sound • SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components • A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ • Velocity to filter and amp • A chicklet keyboard with latch and octave shift, playable right on the panel • Full preset manager with favorites and a factory bank • Five faceplate colors, including one for console cowboys • AUv3 and standalone, with an interface that fills whatever window your host hands it AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings, Ableton Link, and background audio. No subscriptions. No accounts. No nonsense. Buy it once, own it forever.