Split Chaos by folina vs 4Comp

Split Chaos creates two alternate realities of your sound. Your audio is duplicated into two identical paths. From there, each path gradually disagrees with the other through timing, pitch, tone, saturation, and continuously evolving movement before they collide back together into a single output. Instead of traditional chorus, delay, or modulation, Split Chaos focuses on controlled disagreement. Small differences create width, depth, and movement. Larger differences produce fractured doubles, unstable textures, warped stereo images, and beautifully imperfect parallel worlds. Every control shapes how the two realities drift apart: • Offset introduces timing disagreement between the paths. • Bend creates subtle pitch disagreement through delay modulation. • Color gives each path a different spectral character. • Friction applies different saturation characteristics to each path. • Drift continuously evolves every disagreement with slow organic motion. • Mix blends the processed signal with your original audio. From subtle widening and analog-style instability to surreal layered textures, Split Chaos transforms ordinary sounds into evolving, living performances that never stand completely still. Perfect for guitars, synths, vocals, drums, pads, percussion, and creative sound design. Features • Unique dual-path processing architecture • Organic evolving motion without obvious LFO modulation • Timing, pitch, tonal and saturation disagreement • Wide stereo textures and animated depth • Character-first interface with six intuitive controls • AUv3 support for iPhone, iPad, and Mac • Works in GarageBand, Logic Pro, Cubasis, AUM, Audiobus, and other compatible AUv3 hosts Split the signal. Create two realities. Choose how much they disagree.

Four analog-style compressors in one AUv3 plugin: FET, VCA, Optical and Vari-Mu. Each is its own DSP engine with its own sound, and the whole interface — face, knobs, meters — changes to match the one you pick. New in 1.1: tap ? for a quick start and a guide to each model, and watch the live transfer curve on VCA. FET Fast gain reduction from a feedback detector, with an all-buttons mode. Hi-hats, drum buses, spiky guitars. Ice-blue face. VCA Bus glue with program-dependent AUTO release. Tames transients and spikes without grabbing. Crimson face. Optical Smooth, level-dependent release from a modelled photocell — the cell's light memory. Vocals, brass, strings. Electroluminescent-green face. Vari-Mu A ratio that rises with level, plus harmonic colour that thickens thin tracks. Mix bus and mastering. Brass face. Four separate DSP paths Each model is its own compressor engine rather than a preset over one circuit: feedback FET, two-stage VCA, photocell release, rising-ratio tube. Switch faceplates mid-session and the plugin animates to the new model's look. Complement it Stereo link (Linked or Dual Mono), sidechain high-pass, dry/wet mix, input/output and auto make-up gain, a gain-reduction meter styled for each model and 17 presets. Real-time-safe DSP, 0-sample latency by default. Works in GarageBand, AUM, Cubasis, Loopy Pro and other AUv3 hosts on iPhone and iPad.