VisualSound vs Tonic FX

---- Launch offer — introductory pricing for a limited time. The price goes up after launch week: now is the moment to patch in --- VisualSound is a modular instrument where sound and image are made of the same material. One canvas, one cable language: patch an oscillator into a filter, then patch the same signal into light, liquid and geometry. Nothing is a visualizer bolted on top — the picture IS the patch. ONE CANVAS, FIVE REALMS More than 140 modules across sound, control, visuals, geometry and code. Drag a cable and anything can play anything: an envelope strikes a fluid simulation, a sequencer bends a shader, a camera feed becomes an oscillator. INSTRUMENTS WITH OPINIONS • VYPER — a snarling acid bassline machine with slides, accents and pattern morphing. • KINETIC — a step-sequenced drum machine built on lovingly recorded classic analog kits. • KEYS — a playable polyphonic keyboard panel; on Mac, your QWERTY becomes the keybed. • SEQ, LFO, ENV, granular engines, a looper, a tape-stop, reels you can scrub like vinyl. LIGHT AS SIGNAL GPU-native visuals: shaders, feedback, bloom, fluid dynamics, sculpted 3D geometry. Point the camera at the world and use it as a texture. OCULUS tracks your hands and face so you can play parameters by moving. WRITE YOUR OWN MODULES — OR JUST ASK GRAIN is VisualSound's per-sample DSP language: code your own audio and visual processors right on the canvas. Tap the wand, describe the effect in plain English — "a dark tape echo that wobbles" — and an AI running entirely ON YOUR DEVICE writes the code, compiles it, and tells you honestly when something isn't possible. No cloud, no account. It works in airplane mode. (The AI brain is a free one-time download.) BUILT TO PERFORM Eight scenes with beat-synced morphing, motion loops, MIDI learn on everything, a timeline that can bend the tempo itself. Record your performance — audio and video — straight out of the app. PLAYS WELL WITH YOUR STUDIO Runs as an AUv3 instrument inside your DAW, and HOSTS your AUv3 synths and effects inside the canvas. MIDI in and out. Background audio. Files in, stems out. YOUR IPHONE IS THE REMOTE Install VisualSound on iPhone and it becomes VS Remote: a wireless control surface for the instrument running on your iPad or Mac, over your local network. No setup, no cloud. ONE PURCHASE, EVERY SCREEN Buy once and VisualSound is yours on iPad, Mac and iPhone. Same patches, same engine — the Mac gets QWERTY keys and plugin hosting depth, the iPad gets ten fingers on glass. PRIVATE BY DESIGN No accounts, no analytics, no ads. Your patches, recordings and prompts never leave your device. Privacy policy: https://visualsound.app/privacy/ Open the app and you land on Welcome — a living patch, already playing, wired for you to pull apart. That's the whole philosophy: understanding by unscrewing. Sound and light, patched together.

Thirty-four effects. One tap to add each one — and the order of the chain is yours. Tonic FX is the Tonic effects rack in an app of its own, focused and affordable — an Audio Unit (AU and AUv3) effect in GarageBand, Logic, AUM, Cubasis, Drambo and any host, and a standalone app that processes your microphone or line input. A RACK YOU BUILD — AND REORDER Every effect has its own on/off, grouped by category: add one with a tap, then drag the cards to rearrange the chain. The order is saved with the preset. THIRTY-FOUR EFFECTS • Drive — Overdrive, Distortion (hard, asymmetric and fuzz), Amp Sim with 6 models and cabinet, Wavefolder/Fuzz, Bitcrush, Ring Modulator and Lo-Fi/Vinyl. • Modulation — an 8-mode Chorus (vintage through string ensemble), a Phaser with four voicings, from the gentle 4-stage pedal to a slow 10-stage pad sweep, Flanger, Vibrato, Detune, Pitch Shifter/Harmonizer, Throb (the pulsing vibrato of the sixties) and Frequency Shifter. • Motion — a two-rotor Rotary cabinet, Auto-Pan, Tremolo, a Stereo Widener with a mono maker that keeps the bass centred, a Pedal Wah you can put under an expression pedal, and the Trance Gate, with a draw-your-own-rhythm mode. • Time — a tempo-syncable ping-pong Delay, with Wow and Sat for tape character; a Reverb with nine spaces: room, hall, cathedral, plate, spring, shimmer, cloud, gated and swell — plus Freeze, to hold a chord and play over it; Reverse, which plays back what you just played backwards; and Call & Response, which listens to your phrase and answers in the gap. • Dynamics & EQ — Compressor, Limiter, Noise Gate, De-esser, a musical 5-band EQ and a 12-band graphic EQ, each with eight one-tap starting points you can overwrite with your own. Compressor, gate, de-esser and limiter show how much they are holding, in dB. • Vocal — Voice, a whole vocal channel behind one knob: low cut, gate, de-esser, compressor and sheen, all in the right measure; and the Doubler, which simulates two or four voices singing along. • Filter — an Auto-Wah that breathes with your playing, always first in the chain. BUILT FOR PLAYING Full MIDI Learn maps any hardware knob to any control, including the from–to range for an expression pedal. Tempo sync from your host keeps delay and modulation in time. Colour-coded scenes A–F, a preset library with favourites, and factory presets to get started fast. A tactile "pro hardware" interface, native on iPhone, iPad and Mac. Thanks for playing with RSJB — made by musicians, for musicians! Follow what's new at www.rsjb.com.br