ALIGNED vs LUMENKORN

ALIGNED — get every page aligned. ALIGNED is a layout tool built for multi-page Instagram carousels. Place photos, text and video across pages like a magazine spread, align them precisely, preview, and export the whole set at once. ■ An alignment system you rarely see Three-level magnetic snapping, pull-out guides, multi-object align & distribute, and cross-page alignment. Every element lands exactly where it should. ■ Real typography, including CJK Vertical (top-to-bottom) text with proper punctuation forms, letter spacing, line height and optical centering that behave the same in every direction. Commercial-use fonts built in, and you can import your own. ■ Not just images — video too Drop video into your workspace and export a whole page (image + text + video) as an mp4. ■ Made for iPhone and iPad Same app, same projects. On iPad: a sidebar toolbar (switchable for left- or right-handed use), keyboard shortcuts and trackpad pointer support. Highlights • Up to 20 pages, edit across page boundaries • 8-point crop, straighten, shape masks & borders • Shapes, cut-out stickers, grid layouts • Text shadow, background, style presets • Carousel / continuous / Threads previews • Reverse-order save, so your IG upload order is right • Works fully offline — your work stays on your device Free, and genuinely usable The core is free forever with no watermark: multi-page editing, the alignment engine, guides, cropping, fonts and image export. ALIGNED Pro (subscription) Unlocks video export (including full-page mp4 compositing) and cross-project copy. Monthly or yearly (yearly ≈ 40% off), each with a 7-day free trial. Cancel anytime in your App Store account settings; Pro stays active until the end of the paid period. Subscriptions auto-renew unless cancelled at least 24 hours before the end of the current period. Payment is charged to your Apple Account at confirmation of purchase. Terms of Use: https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://hilarious-aftershave-5aa.notion.site/ALIGN-3951b5c06b9a81b69736e9c7845fef0e

Every photograph LUMENKORN takes keeps its undeveloped negative. Change the film afterwards and that negative is developed again — a frame shot on black-and-white can become colour days later. An app that lays a filter over a finished JPEG cannot do this. LUMENKORN is a 35mm film camera and a darkroom: sixteen films of its own, a development pipeline that works the way emulsion works, and the controls of a real camera body. THE FILMS Ten colour films and six monochromes — the names are LUMENKORN's own — each an original built from measurement: curves, colour response and grain fitted to real developed film, scanned at a photo lab. Skin sits warm and smooth without going orange. Skies come down cyan-blue with weight in them, not phone-blue. Greens go muted or go loud depending on the roll you load. Reds stay dense where a phone lets them bleed. Fast films are coarse and low in contrast; slow films are tight and steep. Every film carries honest variants (matte, pushed), a continuous printing-warmth dial for colour, a paper-grade contrast scale from 0 to 5 for black & white, and its own grain character. DEVELOPED, NOT FILTERED • The negative is kept in linear light and developed in a chain, in order: exposure, film curve, colour response, scan, grain, halation — the way a lab does it, not a lookup laid over a JPEG • Highlights roll off on a film shoulder. A bright window keeps its gradation; a white shirt in sun keeps its weave • The camera watches the live histogram and, when real area starts to clip, exposes down by up to two stops and returns them in development — a sunny sky keeps its drawing at 0 EV, and the frame still lands at the exposure you set • Four scanner profiles decide how the negative is read: two fitted to real lab scans, one a flatbed, one a drum. Same negative, four different prints • Grain is not noise laid on top. A synthesised emulsion sheet with a real particle-size distribution sits in the negative. It lives in the midtones and thins in the highlights, the way silver does. Zoom in and it reads like a scan, because it is built like one. Choose the 35mm negative or the quieter 120 • Halation blooms around clipped lights only — a street lamp at night gets its ring, a white wall in daylight does not • The meter reads a third of a stop under. Digital keeps its shadows and loses its highlights — the opposite of film — so the sensor is protected at the top and the film shoulder gives the mids back in development • Film-true white balance presets: daylight film renders golden hour golden and shade blue • THE LAB, if you want it: automatic per-shot development that judges each frame the way a lab operator judges a roll — point, shoot, and the print comes back right A CAMERA, NOT AN APP • Full-resolution capture on the physical lenses — up to 48 MP, including in manual mode • M mode: shutter and ISO dials with a live match-needle meter; loading a film rates the meter at its box speed • EV wheel in quarter stops, AE/AF lock, tap to meter a point • Lenses from 13 to 200 mm that snap to the real glass • Frames: 3:2, 4:3, 1:1, 16:9, a widescreen letterbox and a long panorama • Every capture keeps its undeveloped negative on a roll — re-develop any photograph with a different film later, or press AUTO in the editor for a complete film reading of that image, and again for the next • Import any photograph from your library and develop it on film — the same pipeline, the same negative kept • A full develop kit in the editor: exposure, highlights, shadows, white balance, saturation, sharpness that can go soft, real vignetting in both directions, undo and redo • JPEG, HEIF, or PRO: the developed photo and the untouched ProRAW original in one Photos asset • Camera Control and Lock Screen capture, volume-button shutter, level, grid, live histogram NOTHING LEAVES YOUR PHONE No account, no tracking, no network access at all. Your photographs are yours.