Pitch Destroyer vs MIDIHuman Comp

Pitch Destroyer is a creative pitch effect that tears apart incoming melodies and rebuilds them into unpredictable, harmonized fragments. Instead of simply shifting pitch or adding harmony, Pitch Destroyer continuously captures pieces of your performance and launches them into new musical directions. Notes leap across octaves, fifths, pentatonic shapes, chromatic runs, and broken interval patterns while remaining surprisingly playable. The result is somewhere between a rogue arpeggiator, a fragmented harmonizer, and an improvising musical partner. From subtle ghost notes to complete melodic collapse, Pitch Destroyer transforms vocals, guitars, synths, basses, leads, pads, and samples into evolving streams of controlled chaos. Destroy the melody. Keep the music. Features • Creates rogue melodic fragments from incoming audio • Seven musical interval modes • Tempo-aware fragment generation • Dynamic pitch jumping and melodic mutation • Layered fragment voices for evolving textures • From subtle harmonization to complete melodic destruction Controls Destroy Controls how aggressively Pitch Destroyer breaks apart your melody. Range Sets how far generated fragments may jump in pitch. Density Controls how frequently new melodic fragments are created. Mode Selects the musical interval behavior: Octave Fifths Minor Major Pentatonic Chromatic Broken Chaos Controls randomness, timing variation, and melodic unpredictability. Glue Blends generated fragments into the original performance for smoother or more separated results. Mix Adjusts the balance between the original signal and the destroyed output.

MIDIHuman Comp is an AUv3 MIDI processor for the chord part — organ, piano, pads, guitar. It makes no sound of its own: your chords go in and come out on their way to your instrument, played the way a comping player would play them — a little different every time round. It never writes new chords for you. It works on top of what you play: variations happen only on the steps you mark, only as often as you set, and always on the chord your loop plays there. HUMANIZE AND GROOVE - A chord lands a little late now and then — the whole chord together, never smeared into a strum — and velocities move - Quantize toward a grid and add swing LEARN - Hears the key — or set it yourself - Remembers the chord on every 16th (up to six notes each), in loops of 1, 2, 4 or 8 bars, and names it - PLAY keeps the learned chords going by themselves; FREEZE keeps them exactly as they are VARY AND FILL - On a chord: an octave on top, the next inversion, a top note that leans and resolves, a staccato chop, a re-strike - Between chords: organ stabs, and chords that arrive early - Eight chord fills — inversion climbs and drops, stabs, triplet stabs, doublings, a drop-out, an anticipation. Tap FILL or set Auto Fill - Swaps: move everything an octave, or spread the voicings from close to open PRESETS - Factory presets: Organ Stabs, Gospel Push, Soft Pads, Funk Chops, Harmony Lines - Your own presets and stored chord loops; host parameters for automation - A searchable User Guide inside the plug-in WITH THE MIDIHUMAN FAMILY Load MIDIHuman Drums, Bass or Lead in the same host session and they find each other: one shared groove, fills that start and hit together, and a FOLLOW fader for each sibling. - One shared key with Bass and Lead; voicings kept above Bass and below Lead - Sends your chords to Bass, so its walks and fills follow your changes - Harmonize: now and then doubles Lead's line a 3rd or 6th below - With Drums: lean on the kick and sit in its pocket Each MIDIHuman app is sold separately and works on its own. REQUIREMENTS - An AUv3 host that loads MIDI processors and provides tempo and transport. Tested in Loopy Pro. - A chord sound after it — an AUv3 instrument, another app or hardware. - Without the host's clock it still humanizes; learning, variations and fills need the clock. - iPad and iPhone.