Jungle Breaks vs 2099 Techno

Jungle Breaks is a dual-scene live performance groovebox built as the mobile workflow for old-school jungle, drum 'n' bass, and breakcore music enthusiasts. Built as the powerful successor to the Amen Break Generator app, it expands on its original concepts by introducing MPC-style sampler pads, quantized pad loopers, and a comprehensive set of iconic samples: era-defining 1990s jungle breakbeats, chord pads and subbasses. The dual-scene layout allows to run two complete, independent 16-pad setups in parallel — 32 pads total — each with its own samples, effects, and snapshots. With this you can easily blend two arrangements, build transitions, or extend a set on the fly. The app features state-saving snapshots for instant performance recall and runs standalone or as a synchronized AUv3 plugin inside an iOS host DAW. Whether you're chopping the amen break on stage or building a session in the studio, Jungle Breaks keeps your hands on the sound instead of buried in menus. Key features: * Sampler playback modes: Choose between standard One-Shot Mode (with +/- 12 semitone tuning) and Sliced Mode, which auto-chops loops into user-defined clips. * Independent DSP Routing: Group individual pads into 4 color-coded sub-mixes, running each through an independent sequential chain of DSP effects. * Free-Play Mode — Jam over your samples with automatic tempo quantization, so live-triggered loops and effects always land on the beat (or lock to your host's MIDI clock as an AUv3). * 32-Step Live Sequencer: Capture and overdub live taps across integrated 16 loopers with three distinct launch modes (Start on Tap, Start Immediately, and Count-In) with adjustable tempo (60-240 BPM). * 16-Effect DSP Chain per Group — Every group runs its own independent signal chain of 16 tempo-synced effects, including a segment-shuffling Scrambler, a randomized-loop Juggler, a stutter Repeater, rhythmic Gater, Bitcrusher, Flanger, stereo Ping-Pong Delay, sweeping filters, vinyl-style Slowdown, and tempo-locked Reverse — 64 effect slots in total across all 4 groups. * Scene Snapshots: Store and recall 4 snapshot slots per scene on the fly to capture exact sample maps, active looper patterns, and effect parameters perfectly quantized to the global tempo. * Scene Snapshots — Capture your full pad, effect, and looper state into 4 instant-recall slots per scene, with automatic synced transitions between them. * Save & Load Scenes — Store and reload complete performance setups as files, and swap them live mid-set without interrupting playback. * AUv3 & MIDI Integration: Run natively or as an AUv3 plugin inside iOS host DAWs, utilizing full MIDI note maps for pad triggers, snapshot recalls, MIDI Transport, and dedicated scene stop/panic notes.

2099 Techno writes complete tracks. Press generate and you get 76 bars with an intro, builds, two main sections, a breakdown and an outro, played by a virtual-analog engine and a 909-style drum machine. Bass, acid, stabs, pad, a lead line and the kit, through a dub delay, chorus and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. Three Lorenz attractors shape the melody, the rhythm and the mood. Three separate logistic maps run underneath the drums, the bass and the acid line, so they wander independently: turn the logistic control down and the hats and perc repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and rehearses two hundred notes over the changes before it writes anything. The CHAOS / TASTE slider decides how much say each one gets. Eight styles, and they are properly different. Detroit rolls an off-beat bass under syncopated stabs. Dub Techno holds one chord for four bars and lets the delay do the work. Acid runs a 303 line with slides and accents. Hard pushes past 140 with a Reese bass and the drive up. Minimal takes most of it away. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the track's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the track and follows your host. Both play any part you like: bass, acid, stabs, pad or lead, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the breakdown, say - and preview it on its own without starting the track. Turn on RADIO and it keeps playing, picking a new key, mode, style, sound kit and tempo for each track. You also get: • 8 styles, 6 dark modes, 12 keys, tempo and density • Two-oscillator analog voice with sub, noise, resonant filter and glide • 22 presets and 9 sound kits, from Warehouse to Game Boy, plus random patch • Six-part mixer, dub delay, chorus, plate reverb and a global sweep filter • A PLAY panel: pads in the track's own key, and a 16-step lane with accent and slide, running in time with the track and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: six tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive six instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly.