Dawcade vs 1981 FM

Dawcade is a complete music studio that fits in your pocket. Record, sequence, mix and arrange anywhere — everything runs on your device alone. No account, no subscription, no cloud, nothing to unlock. Buy it once and everything is there. TWO WAYS TO BUILD A TRACK Session view lets you launch clips and scenes freely while you find the arrangement by playing it. Arrangement view puts the same material on a timeline when you are ready to commit. Clips move between the two, so nothing has to be decided up front. INSTRUMENTS More than fifty instruments and effects ship with the app. Wavetable, virtual analog, FM, phase distortion, vector, spectral, supersaw, granular, physical modelling and chip synthesis all have purpose-built editors rather than a generic parameter list. Sampled acoustic instruments cover piano, electric piano, organ, guitar, bass, strings, brass and woodwinds. DRUMS AND SAMPLING A library of factory drum kits, each with per-pad tuning, envelope, filter, pan and send controls. The sampler loads your own audio, and the drum surface can be played as pads or programmed as a step sequencer. PLAY SURFACES Sixteen selectable play surfaces sit under the mixer instead of a single fixed keyboard. Alongside the piano keyboard there is a chord pad grid, a Tonnetz lattice, a circle of fifths, a strum surface, a fretboard, a bowed-string surface, an XY pad, and generative surfaces that keep playing while you shape them. Every surface follows the project key and scale, so wrong notes are opt-in. MIXING AND AUTOMATION Per-channel volume, pan, mute, solo and record arm, with return channels and sends. Twenty-four audio effects including compressor, multiband compressor, limiter, transient shaper, parametric EQ, reverb, plate reverb, delay, filter delay, grain delay, chorus, flanger, phaser, distortion, amp cabinet, bitcrusher, vocoder, resonator, frequency shifter, auto filter, beat repeat, gate, spectral and step effects. Any parameter can be automated on the timeline. MIDI AND GENERATORS Class-compliant USB and Bluetooth MIDI controllers are supported for input, and Dawcade sends MIDI back to control surfaces that have pad or key lighting. Insert an arpeggiator with classic, Markov and Euclidean generators, or a scale-quantiser, ahead of any instrument. RECORDING Record audio through the microphone or an audio interface, straight into a channel. Count-in, pre-roll and post-roll are configurable, and takes land as clips you can move, trim and reuse. PRIVACY Dawcade does not ask for an account and does not collect personal data. Crash and error reports are the only thing that leaves the device, they are not linked to your identity, and they are processed in the European Union. Your projects, recordings and samples stay on your device. Requires iOS 17 or later. Includes a demo project and a guided tour on first launch.

1981 FM writes complete tracks. Press generate and you get 64 bars with an intro, verses, choruses, a break and an outro, played by a four-operator FM synth. Lead, bass, arp, pad and a drum machine, through chorus, delay and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. A Lorenz attractor shapes the melody, rhythm and mood. A Hénon map keeps the arpeggio moving. A logistic map handles the drum fills: turn it down and they repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and practises over the chord changes before it writes anything. The CHAOS / POLICY slider decides how much say each one gets. Ten styles, and they are properly different. Funk plays a 16th-note slap line with ghost notes between the backbeats. Bebop walks the bass and puts the ride in charge of the time. Bossa runs a clave. Space strips the kit back to a pulse. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the song's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the song and follows your host. Both play any part you like: lead, bass, arp or pad, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the choruses, say - and preview it on its own without starting the song. Turn on RADIO and it keeps playing, picking a new key, mode, style and tempo for each track. You also get: • 10 styles, 6 modes, 12 keys, tempo and density • Four-operator FM engine, 6 algorithms, 11 presets, random patch • Five-part mixer, chorus, delay, plate reverb and filter • A PLAY panel: pads in the song's own key, and a 16-step lane running in time with the song and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: five tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive five instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly. No account, no ads, no subscription. Works offline.