ThunderBeast vs 2099 Techno

Rain, wind and thunder, all synthesized in real time. No samples, no loops. Every storm ThunderBeast makes is a storm happening for the first time. EIGHT CITIES, EIGHT SKIES A New York night storm. London drizzle. A Miami squall. Seattle mist. The Bangkok monsoon. A Reykjavik gale. An evening shower in Kyoto. A Cape Town storm front. Choose a preset and the scenery, the weather and the colour of the panel change together, so the city you are listening to is the city in front of you. TEN WEATHER CONTROLS Precipitation and drop size shape the rain; wind speed, gust and turbulence move the air. Storm rate decides how often lightning happens and storm energy decides how heavy each strike lands, while cell distance walks the storm from directly overhead out to the horizon. Humidity and pressure change the whole feel of the sky, and width and gain finish it. FOUR KINDS OF LIGHTNING A crack at close range, thunder that rolls, strikes that repeat, a sheet of light across the whole sky - each one carrying the swell that comes back off the landscape. The bolt is drawn on screen as it happens and changes colour as the storm moves away. No two strikes are ever the same. PLAYABLE WEATHER Play from C2 up and the rain rings at that pitch. Chords and melodies come out of the falling rain. Play below C2 and lightning strikes instead: pitch sets the distance, velocity sets the weight. Twelve hardware controller presets are built in; the mod wheel is storm energy and the sustain pedal is lightning. STANDALONE AND AUv3 Use it on its own, or as an AUv3 plug-in in GarageBand, Logic Pro and others. START FREE Three cities are free from the first launch. ThunderBeast Pro is a one-time purchase, not a subscription: it opens the remaining cities (eight in all) and adds recording and export to WAV, AIFF and FLAC.

2099 Techno writes complete tracks. Press generate and you get 76 bars with an intro, builds, two main sections, a breakdown and an outro, played by a virtual-analog engine and a 909-style drum machine. Bass, acid, stabs, pad, a lead line and the kit, through a dub delay, chorus and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. Three Lorenz attractors shape the melody, the rhythm and the mood. Three separate logistic maps run underneath the drums, the bass and the acid line, so they wander independently: turn the logistic control down and the hats and perc repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and rehearses two hundred notes over the changes before it writes anything. The CHAOS / TASTE slider decides how much say each one gets. Eight styles, and they are properly different. Detroit rolls an off-beat bass under syncopated stabs. Dub Techno holds one chord for four bars and lets the delay do the work. Acid runs a 303 line with slides and accents. Hard pushes past 140 with a Reese bass and the drive up. Minimal takes most of it away. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the track's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the track and follows your host. Both play any part you like: bass, acid, stabs, pad or lead, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the breakdown, say - and preview it on its own without starting the track. Turn on RADIO and it keeps playing, picking a new key, mode, style, sound kit and tempo for each track. You also get: • 8 styles, 6 dark modes, 12 keys, tempo and density • Two-oscillator analog voice with sub, noise, resonant filter and glide • 22 presets and 9 sound kits, from Warehouse to Game Boy, plus random patch • Six-part mixer, dub delay, chorus, plate reverb and a global sweep filter • A PLAY panel: pads in the track's own key, and a 16-step lane with accent and slide, running in time with the track and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: six tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive six instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly.