2099 Techno vs Sampledex Effect Shift

2099 Techno writes complete tracks. Press generate and you get 76 bars with an intro, builds, two main sections, a breakdown and an outro, played by a virtual-analog engine and a 909-style drum machine. Bass, acid, stabs, pad, a lead line and the kit, through a dub delay, chorus and reverb. Nothing is sampled. Every note is made on the fly and no two tracks come out the same. The music comes from chaos maths. Three Lorenz attractors shape the melody, the rhythm and the mood. Three separate logistic maps run underneath the drums, the bass and the acid line, so they wander independently: turn the logistic control down and the hats and perc repeat every bar, turn it up and they never do. Chaos on its own is noise, so a small model filters it. It gets rewarded for consonant intervals and rehearses two hundred notes over the changes before it writes anything. The CHAOS / TASTE slider decides how much say each one gets. Eight styles, and they are properly different. Detroit rolls an off-beat bass under syncopated stabs. Dub Techno holds one chord for four bars and lets the delay do the work. Acid runs a 303 line with slides and accents. Hard pushes past 140 with a Reese bass and the drive up. Minimal takes most of it away. Every track is built from its seed. Write the seed down and you can have that exact track again, note for note, whenever you want it. You can play over it, too. The pads are the notes of the track's key rather than a piano keyboard, so nothing you touch is wrong, and the sixteen-step lane runs in time with the track and follows your host. Both play any part you like: bass, acid, stabs, pad or lead, through that part's sound and out on its MIDI channel. Choose which sections the lane plays in - just the breakdown, say - and preview it on its own without starting the track. Turn on RADIO and it keeps playing, picking a new key, mode, style, sound kit and tempo for each track. You also get: • 8 styles, 6 dark modes, 12 keys, tempo and density • Two-oscillator analog voice with sub, noise, resonant filter and glide • 22 presets and 9 sound kits, from Warehouse to Game Boy, plus random patch • Six-part mixer, dub delay, chorus, plate reverb and a global sweep filter • A PLAY panel: pads in the track's own key, and a 16-step lane with accent and slide, running in time with the track and only in the sections you pick • MIDI in, so your keyboard plays whichever part you have selected • MIDI export: six tracks, one per part • Live spectrum, waveform and a view of the chaos engine at work Two Audio Units, an instrument and a MIDI processor. Each part sends on its own MIDI channel, drums on 10, so one instance can drive six instruments. The MIDI version passes your keyboard through instead of swallowing it. Both follow your host's tempo and transport. One install registers both. The app is free and nothing in it is held back. Using the Audio Units inside other apps is a one-time purchase, and each AUv3 session plays for two minutes first so you can try them properly.

Give your sound a new direction. Sampledex Effect Shift brings 50 effect choices, seven hands-on macro controls and the seven-band Bender EQ to iPhone and iPad. Add drive to a drum loop, movement to a synth or space around a melody, then shape the result to fit your track. FIND A STARTING POINT Choose from 51 factory presets: Default plus a starting sound for each of the 50 effects. A factory preset recalls a complete sound. Use the separate effect menu when you want to change the algorithm while keeping your other settings. CHOOSE YOUR CHARACTER Explore drive, digital textures, filters, chorus, flanging, phasing, tremolo, ring modulation, delay and reverb. Start with an effect, then turn Amount, Tone, Time, Mix, Dimension, Sparkle and Output to make it your own. SHAPE IT WITH BENDER EQ Follow seven colored band curves and their numbered handles. Select a band to adjust frequency, gain and Q directly. Use Fine for smaller graph movements, or lock dragging to frequency or gain. High-pass, low-pass and Prism controls give you more ways to shape the response. COMPARE AND KEEP YOUR IDEAS Use EQ A/B to compare two settings and copy a favorite into the other slot. Save the full sound as a preset and import or export preset documents when moving between your workflows. Each instance keeps its own sound in your host's project state. BUILT FOR TOUCH Move between Effects, Bender EQ and Advanced pages. Scroll to reach every control, enter a precise value or turn a textured macro knob. Switch Light or Dark directly from the touch header, or use the theme menu in Advanced. Your theme and settings return when the instance is restored. BRING IT INTO YOUR MUSIC WORKFLOW The included AUv3 audio effect extension loads in compatible hosts. The containing app also offers live input processing: connect headphones or an audio interface, then enable live input. Microphone permission is requested when you enable input. Your host manages audio when you use the extension. GO FURTHER Explore HoloRune character, spatial modes, EQ routing, parallel mix and Mid/Side levels in Advanced. Sidechain ducking requires a compatible host and a routed sidechain source.