MultiComb vs Stochastic Lab

MultiComb turns a bank of moving comb filters into a playable sound-design effect. Four independent comb voices create shifting resonances across the stereo field, each moving with its own timing, spacing, and character. Smooth modulation keeps the bank alive while Bite introduces stepped sample-and-hold disturbances that push individual combs into new resonant relationships. The result can move from hollow coloration and subtle animation to metallic ringing, mechanical movement, fractured resonance, and unstable tonal textures. MultiComb works across drums, vocals, pads, guitars, percussion, and full electronic textures—but it especially comes alive on leads, basslines, arpeggios, plucks, and other short-note sequences. Individual notes excite the comb bank differently, turning simple melodic or rhythmic patterns into animated, resonant phrases. Teeth reshapes the fundamental comb structure. Motion keeps it moving. Spread pulls the voices apart. Feedback lets resonances ring. Color moves from dark and hollow toward bright, steel-like character. And then there’s Bite. Bite introduces independent stepped disturbances across the comb bank. At restrained settings it adds little irregular catches and tonal shifts. Push it harder and the resonances begin snapping into fractured, metallic relationships of their own. Seven controls. Four combs. Lots of teeth. Features Four independently animated comb-filter voices Moving, evolving resonant structures Independent sample-and-hold disturbances across the comb bank Wide stereo spreading and voice separation Dark, hollow through bright, metallic tonal character Controlled high-feedback resonance Smooth continuous motion combined with stepped instability Particularly expressive on leads, basslines, plucks and short-note sequences Factory presets ranging from subtle coloration to fractured metallic textures

Stochastic Lab is a generative composition tool built around the mathematical methods Iannis Xenakis used to compose: probability distributions, stochastic processes, and Markov chains, applied directly to sound. GENERATE • 6 generation modes: melody, rhythm, cluster, cloud, pointillistic, sequence • 6 probability distributions: uniform, Gaussian, exponential, Cauchy, Poisson, linear decay • Full control over density, register, tempo, block length, and Markov-driven contour • Choose a single orchestral section (strings, winds, brass) or let the generator blend all three • Pick exactly which percussion sounds are in play REAL INSTRUMENTS • Real sampled strings (high & low), winds, brass, and an 8-piece percussion kit — not synthesized approximations • Authentic short (pizzicato/staccato) and sustained articulations • Genuine glissando and tremolo, generated as part of the composition itself EDIT & PERFORM • Full piano roll editor: drag notes, edit pitch by semitone, adjust duration and velocity • A live recording keyboard to play your own material into any layer • Freeze a generated block into a fixed, fully editable sequence at any time SCORE • A live, Xenakis-style graphic score (particle-cloud visualization) for every layer • Expand any layer — or the full combined score — to fullscreen, with zoom and a moving playhead • Export the score itself as a printable, shareable image SEQUENCE & ARRANGE • Multi-layer Sequencer for building full compositions from generated or recorded material • Song mode for arranging multiple sections into a complete piece EXPORT • Export audio (WAV) and MIDI, mixed or as separate stems per layer, straight from the Generator, Sequencer, or Song view AUv3 PLUGIN • Stochastic Lab also runs as a real Audio Unit (AUv3) instrument inside GarageBand, Logic, AUM, and other hosts • The actual generative engine runs live inside your DAW — not a static sample player • A dedicated on-plugin control panel (mode, distribution, density, pitch range, tempo, and more), with a Preview button to audition before recording • Full MIDI recording support, including pitch bend and glissando THEORY • A built-in Theory section covering Xenakis's life and stochastic music concepts, with real-instrument audio examples for every distribution Stochastic Lab works entirely on-device — no account, no internet connection required, no data collected.