rrarrow vs Chiptune Sequencer

rrarrow is the experimental noise machine / modular audio effect for the iOS featuring extended feedback capabilities. Key features: - Simplicity. The interface is simplified for faster assembly and more flexible connectivity — you can assemble your effect very fast and control all the processing parameters with the audio signal! - Feedback capabilities. You can add feedbacks to the audio chain to get some chaotic noise sounds . - 20 blocks for audio processing: - Sine generator. Basic oscillator with sine waveform - Saw and square oscillators - Signal multiplier - Delay - Frequency shifter - Envelope follower - “Lorenz attractor” - Quantizer - Sample-and-hold - Reverb - Special Lowpass filter - Clipper - Nonlinear shaper (for self-oscillating circuit) - two special waveshaping modules with “fold” and “wrap” distortion blocks that work with audiofiles: - lookup table. Loads up to 10 seconds of audiofile to be used as nonlinear transfer function - Players with/without interpolation and speed control - "scrub" block for semi-random granular file playback - Built-in audio recorder. Share the audio file to other applications or AudioShare. - MIDI support! Assign MIDI controllers to all faders. Supports network midi and has a virtual MIDI in. - Audiobus support. Now you can stream live audio directly to other Audiobus-compatible apps! See http://audiob.us for more information. Works as input and filter. - Audiobus state saving support - Inter-App Audio support - Background audio support: enabled when connected to Audiobus and user switchable otherwise. The 'background audio" switch is located in app's "settings" page iPad2/iPhone4S or newer is recommended for complex presets this app is optimized for iPad and iPhone 5 To get started please watch the tutorial videos on the website and read the user guide inside the app

C.H.I.P. is a Chiptune Handheld Instrument Player: sequence and build four channel chiptune, the sound of a 1989 handheld console. Arrange is your song. Sections stack top to bottom and play in order. Drag one to move it, or drag its right edge to loop it. Pattern is where notes go. Four lanes down, time across. Tap a cell, then play a key or a drum pad to fill it. Effects come from a menu you can read, so you pick Arpeggio, major instead of memorising a code. Sound is the synth. Every control has a plain name, a sentence saying what it does, and a button to hear the result. There is a preset library if you would rather start from something that already works. Song is everything else. Tempo, tuning, the mixer, saving, and export. The whole interface is drawn a pixel at a time, in the style of an early nineties desktop. Have it in grey, or behind a green LCD. Every sound is made as you play. Nothing streams, and there is no sample pack hiding in the background. Two pulse channels, a wave channel you can shape, and a noise channel, emulated at the register level so the controls mean what they meant on the original chip. Plug in a MIDI keyboard to play the instrument you are editing, and write notes straight into the grid. Export a mix as a WAV, or the song as a MIDI file to carry into whatever studio you use. There is a compare screen for the curious. Load a recording of real hardware and it lines the two up to the sample, matches their levels, and tells you how far apart they are and where. You can listen to just the difference. Songs and save files read and write in their original layouts, byte for byte, so something you write here can go back to the device it came from. Whether you want a quick lofi beat or a finished song, it is a music maker for sitting down and actually writing. Made for people who like retro sound and do not want a manual to get going.