Afro Latin Percussion Machine vs AD

Afro Latin Percussion Machine is your virtual Latin percussionist. Practice, create, and perform authentic Afro-Latin rhythms like never before. Free to download and keep, with every feature unlocked for the first 7 days. Designed for musicians, producers, and anyone who loves the rhythms of Latin America and the Caribbean, now with AUv3 support. Play hot Latin rhythms with the highest sound quality: son, son montuno, guaguancó, columbia, yambú, bembé, cha-cha-chá, mambo, merengue, bachata, salsa, bolero, songo and bomba, with over 100 rhythms in total. So easy to use, you can edit and create your own in seconds. Key Features: Song Mode: turn your Afro-Latin rhythms into complete arrangements in seconds. Set groove, jam and intensity per part, double-tap to edit, long-press to reorder. Fast and simple. Jamming Tool & Randomizers: add human feel and spontaneity to every groove. No more flat, repetitive loops. Live Pads: trigger fills, switch rhythms and jam in real time with 8 assignable pads, intro and end buttons, and full MIDI control. Share by AirDrop, Mail or Files: send any groove, live pad set or song to another device or to a friend, with no account or cloud service needed. Standalone & AUv3 Compatible: use Afro Latin Percussion Machine inside your favorite DAW or as a standalone app. Latin Percussion Sounds: congas, bongos, timbales, güiros, claves, cowbells, maracas, shakers, shekeres, cajón, pandeiro, agogô, wood blocks and hand claps, all recorded for a true Latin feel. 100+ Authentic Rhythms: from the styles above to traditional Afro-Cuban toques like bembé, abakuá, makuta and yuka, not found anywhere else, all easy to edit or create your own. Groove sharing across Lumbeat apps: exchange grooves, live pads and songs with Pop Drummer, Soft Drummer and iBassist, standalone or in AUv3. Sound Module: use the full kit as a MIDI sampler, standalone or as an AUv3 plugin, triggered from your own MIDI tracks or pads. Percussion Setup View: see your full kit laid out on screen, instrument by instrument. Custom Rhythm Banks: save and organize your own patterns in your own banks. Advanced MIDI Setup: fully customizable MIDI control mapping, shareable MIDI maps, custom note octave naming, MIDI-controllable tempo, and MIDI Clock In/Out. Per-Track Reverb Send: dial in how much reverb each percussion instrument gets, for precise space and depth. Export Effects: export your grooves exactly as they sound, effects included. Ableton Link: sync tempo and transport with other apps and devices over Wi-Fi, and stay in time with the rest of your setup. External Keyboard Support: play, trigger fills, and control tempo from a connected keyboard. Native on iPhone, iPad and Mac: fully optimized for every screen size, with a dedicated vertical layout on iPhone. Try for Free Afro Latin Percussion Machine is free to download and keep, with every feature unlocked for the first 7 days. During the trial there are limits on exports, random grooves, sound changes and how long each session plays. After the trial you keep a reduced version, and a single one-time purchase unlocks everything for good. No subscription.

We rebuilt the legendary micro composer of 1983, then gave it everything the original owners wished for: eight voices, MPE, a sequencer worthy of the name, and a couple of new dirty tricks. The voice is the one you know: a single fat oscillator with sawtooth and pulse (manual, LFO, or envelope PWM), a three-mode sub oscillator, and a noise source, mixed and driven into a classic four-pole lowpass filter. One snappy ADSR, switchable env/gate VCA, and an LFO with triangle, square, stepped random, and noise shapes, complete with onset delay, tempo sync, and retrigger. Portamento with the proper on/auto/off modes, and gate, gate+trig, and LFO trigger modes, exactly like the hardware. And the a sequencer: eight patterns of up to 64 steps, drawn right on the panel, with accent, slide, and octave per step, follow actions and repeats, swing, and tools to randomize in a key and scale, mutate, copy, and rotate. Play a pattern from a held key, transpose it from the keyboard, lock it while you browse presets, and run it from its own clock, the host transport, or an Ableton Link session in the standalone. Sequences save with your presets. • Eight-voice polyphony, or the original mono behavior with the flip of a switch • MPE support with per-note pitch bend and pressure, four aftertouch destinations (VCO mod, VCF mod, filter freq, LFO rate), and adjustable pressure smoothing • MTS-ESP microtonal tuning, retuned continuously while notes sound • SPREAD for stereo voice panning, and AGE, which drifts each voice like forty-year-old components • A full drive section: pre-filter saturation, filter drive, post-VCA distortion, and a tilt EQ • Velocity to filter and amp • A chicklet keyboard with latch and octave shift, playable right on the panel • Full preset manager with favorites and a factory bank • Five faceplate colors, including one for console cowboys • AUv3 and standalone, with an interface that fills whatever window your host hands it AD-202 works everywhere iOS makes noise: AUM, apeMatrix, Logic Pro, GarageBand, Cubasis, and any other AUv3 host, plus a standalone app with its own audio and MIDI settings, Ableton Link, and background audio. No subscriptions. No accounts. No nonsense. Buy it once, own it forever.