Viking Synth vs RRS Ivoks

Viking Synth is an authentic emulation of a classic monophonic analog synthesizer. It has three continuously variable wave oscillators, two ladder filters with a Dual Lowpass or Highpass/Lowpass configuration, a multi-wave LFO, and two modulation busses. Viking Synth uses state of the art DSP technology to accurately reproduce the sound of the hardware. You get a desktop quality plug-in at an iOS friendly price. Viking Synth is an Audio Unit Extension Instrument (AUv3) that works as a plug-in inside host apps. Just open up your favorite host that supports Audio Unit Instruments and select it from the list of available Audio Units. Compatible with GarageBand, Cubasis, Auria, BeatMaker, AudioBus, AUM, Modstep, and more. The user interface of Viking Synth is designed for quick and intuitive control. Knobs and sliders expand during tweaking and are designed so the current value isn't hidden below your finger. The six pages divide the synth into logical sections that can be accessed quickly. The filter display acts as an XY pad for controlling cutoff and resonance. Simply double tap a knob or slider to reset it to its default value. Presets Viking Synth comes with 228 presets in the categories Bass, Bright Lead, Electro Bass, FX, Percussive Lead, Soft Lead, and Synthwave. The synth excels at thick bass and rich lead sounds. The 50 Electro Bass and 50 Synthwave presets were designed by renowned sound designer eXode. Presets work perfectly with GarageBand, Cubasis, and AUM. Oscillators At the heart of Viking are three adjustable wave oscillators. The continuously variable waveform knob gives the oscillators a unique sound that can’t be achieved with the fixed waveforms found in most synths. A noise oscillator provides three types of noise, one specifically modeled after the hardware. Modulation Two modulation busses and an LFO provide flexible modulation capabilities. All of the options hidden deep in menus on the hardware are immediately accessible with one tap. Filters The filters are classic transistor ladder filters modeled meticulously. Two DSP varieties are available allowing for either reduced CPU load or soft clipping plus three additional overdriven modes. The number of poles is adjustable for a wider range of filter sounds. Compare Viking to other synths: – Viking’s oscillators are free running, not sampled, wavetable based, or generated from a zero point – Viking’s oscillators use advanced techniques to avoid aliasing – Viking’s oscillators have instability, which is controllable through the tuning drift control – Viking’s nonlinear filter uses circuit modeling and provides soft clipping

RRS Ivoks AUv3 instrument — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the RRS Ivoks AUv3 instrument as many times as you want, thereby you get the Demo period again and again.) Unlimited version of RRS Ivoks AUv3 instrument comes as In-App Purchase. Features: • Analog Emulation; • Undo/Redo; • A/B comparison; • 2x/4x/8x Upsampling; • Macro controllers; • Scalable GUI. On the centre panel are located two audio-frequency oscillators: • OSC1 offers frequency Band regulator, five Waveforms and controls for LFO Modulation level plus OSC2 Cross-modulation; • OSC2 offers the same frequency Band and Waveforms, an independent control for Modulation depth, plus Detuning. Underneath these located the mixer, which offers level controls for the two Oscillators, the Noise generator, and Saturation Drive. To the right of these, located the filter block. The top half is a standard ADSR envelope — until you flip the switch «Envelope mode», when it becomes a repeating AD-envelope instead. The four controls at the bottom adjust Cut-off, Resonance, LPF to BPF switch, Modulation level and Envelope level. Next after the filter is the amplifier block, it also has ADSR envelope along with another Modulation level and Velocity sensitivity control. Again, the envelope can be switched to a Repeating Mode that generates a triangular waveform determined by the Attack and Decay settings, providing some of the instrument’s most distinctive effects. The leftmost panels house the Modulation (LFO) controls (top), Mode which offers four waveforms, including noise, and a stepped Function for sample & hold (S&H) effects, well as Speed control. And global settings such as the master Tune, master Volume, Legato mode, Monophonic and Duophonic operation and Unison switches, and the Glide control. To use Ivoks as an instrument, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — RRS Ivoks will appear in the list of Audio Unit instruments in the host app. MIDI CC Implementation Chart: • CC#003 => HQ • CC#009 => Saturation Drive • CC#014 => Modulator Speed • CC#015 => Modulator Mode • CC#020 => Filter Attack • CC#021 => AMP Attack • CC#022 => Filter Decay • CC#023 => AMP Decay • CC#024 => Filter Sustain • CC#025 => AMP Sustain • CC#026 => Filter Release • CC#027 => AMP Release • CC#028 => Filter Envelope Mode • CC#029 => AMP Envelope Mode • CC#030 => OSC1 Band • CC#031 => OSC2 Band • CC#085 => OSC1 Waveform • CC#086 => OSC2 Waveform • CC#087 => OSC1 XMod • CC#089 => OSC2 Detune • CC#090 => MOD to OSC1 • CC#102 => MOD to OSC2 • CC#103 => OSC1 Level • CC#104 => OSC2 Level • CC#105 => Noise Generator • CC#106 => Global Tune • CC#107 => Global Glide • CC#108 => Global Volume • CC#109 => Global Voice • CC#110 => Global Unison • CC#111 => Global Retrig • CC#112 => Filter Cut-off • CC#113 => Filter Resonance • CC#114 => Filter Mode • CC#115 => MOD to Filter • CC#116 => Filter Envelope • CC#117 => MOD to AMP • CC#118 => Velocity Sensitvity