Artemis Director's Viewfinder vs Shadow Planner

Artemis offers a comprehensive database of professional motion picture cameras and lenses, with the facility to add any custom camera format. Hear from our users: Roger Deakins ASC, BSC: Cinematographer (Two Academy Awards wins, 16 nominations) Blade Runner 2049, Sicario, James Bond: Skyfall, The Shawshank Redemption - “It’s great having Artemis on my iPhone. Since I always have my phone with me, I always have a viewfinder at hand. Not only convenient but extremely accurate.” Claudio Miranda ASC: Cinematographer Top Gun: Maverick, F1, Life of Pi, Benjamin Button, Oblivion - “I've been using Artemis from the very beginning. I love that it's a shared tool. First between the director and myself. Then once we approve shots, the images from Artemis get shared with the crew.” Kate Dennis DGA: Director The Handmaid’s Tale, Glow, The Serpent Queen - "Artemis has streamlined my communication with cinematographers, VFX supervisors and other Heads of Department. Now we all know that we are talking about the exact same frame!" Linus Sandgren FSF: Cinematographer Saltburn, La La Land, Babylon, Joy, American Hustle - "Artemis is an amazing Swiss army knife style lens kit that has helped me frame up countless shots in any format in an instant.” Matthew Libatique ASC: Cinematographer Maestro, A Star is Born, Black Swan, Requiem for a Dream, The Fountain - "Not only do I frame every shot with Artemis , I use it to record blocking rehearsals and as part of my process when debating lens and format choices as I work with a director and production designer while location scouting.” Nicolas Winding Refn: Director Too Old to Die Young, The Neon Demon, Only God Forgives, Pusher - "Artemis Pro has tapped into the way of the future by taking full advantage of the digital revolution. The app quickly became an essential tool to capturing my vision.” Mandy Walker ASC, ACS: Cinematographer Elvis, Mulan,, Hidden Figures, Truth, Australia - "Both Artemis & Artemis Prime are essential tool when scouting locations, allowing accurate information to pass from the director and DP to the crew" Barry Ackroyd BSC: Cinematographer Jason Bourne, The Big Short, Captain Phillips, Hurt Locker - "Artemis makes me feel smarter than I was without it. It’s the sharpest tool on my iPhone.” Toby Oliver ACS Cinematographer Get Out, M3GAN 2.0, Happy Death Day, Insidious IV, Wolf Creek 2 - "Artemis Pro is so well thought out. You can precisely choose the camera package and lenses you have to hand to obtain exact ideas of shot angles and sizes on the location survey.” Darius Khondji ASC, AFC, ACS: Cinematographer Bardo, Okja, The Lost City of Z, Delicatessen, Se7en - "Artemis is the best cinematic tool of modern times. I started using Artemis in 2010 and have loved it ever since. It is so accurate with up to date lenses, cameras and formats. It is always with us on scouts and during shoots. Artemis allows the director and I to share how we see things with each other and with the rest of the crew.” Robert McLachlan ASC, CSC: Director / Cinematographer Landman, Yellowstone, Game of Thrones, Westworld - “On Game of Thrones we scouted locations months in advance. Artemis allowed me to communicate our needs to the VFX and art departments. It was critical in planning the Dance of Dragons sequence.” Artemis also offers: - Virtual Stand-Ins, to assist in blocking actors - Custom Frame-lines - Share camera & lens setups with other Artemis users - Record Images & Videos - Gallery for sorting and planning - Export of Shot-lists & Storyboards - Export of detailed Shot-Plans with sun position data (if paired with the Helios app) https://www.apple.com/legal/internet-services/itunes/dev/stdeula/

Scout the light before you get there. Shadow Planner puts a real sun on a real map. Drop your overheads on the actual location, scrub the day from sunrise to sunset, and watch true cast shadows fall across the ground in 3D — so you know what you're walking into before the truck rolls, and so does everyone you hand the page to. SCOUT ANY LOCATION • Search an address or drop straight onto your GPS position • Satellite, street and dark map styles • Real 3D buildings and terrain, so shadows fall off the geometry that's actually there • Live sun compass with azimuth and altitude KNOW WHEN YOU LOSE THE LIGHT • Sunrise, solar noon, sunset, golden hour and civil dusk for any date and any location, with the day's length • Tap any spot for a shade timeline: when it holds direct sun and when it goes into shade, across the whole day • See the sun's path arced over the map — amber where your spot has sun, blue-grey where something blocks it, so you can watch the moment the sun clears a roofline • Reads the buildings and terrain actually around it, plus your own overheads BLOCK THE SHOT TO SCALE • Drop 12x12, 20x20 and 40x40 frames, or set your own custom size • Dial height above ground, spin and tilt on every frame • Add vehicles and human stand-ins for scale • Stack as many objects as the day needs — each one colour-coded, with its own cast shadow and the area it covers SEE THE WHOLE DAY MOVE • Scrub sunrise to sunset and watch every shadow track with the sun • Pick any date and check the light for a shoot weeks out • Stand-ins and vehicles dim when they fall inside a frame's shadow MEASURE THE RIG IN 3D • Tap two points for a true diagonal distance — overhead down to ground • Know exactly where the base, the truck and the crew gear have to land • Measurements stay locked to a frame, so they update as you raise or move it • Matching gear ranges for the distance you measured, from a PeeWee dolly to a 120' Condor FEET OR METRES • One switch converts every height, span, distance and shadow area, and the gear ranges with them • Gear and frame names stay as the industry says them — a 12x12 is still a 12x12, a Condor 40' is still a Condor 40' • Your choice is remembered between sessions TAKE IT BACK TO THE OFFICE • Save a location by name with its camera angle, date, time, every frame, the measurement and the shade you picked — long-press to rename • Six stops in a day, all still there tomorrow • Export a letter-size page carrying the location, date, time, sun position, sunrise and sunset, the rig you had up, and the lift sizes that reach — so the gaffer, the AD and the office are all reading the same sheet • Same page on every device, straight to Photos, Files or Messages • On iPad, drag the menu panels into the order you work in • Full undo and redo Built by a working cinematographer for tech scouts, gaffers, grips, DPs, location managers and anyone who has ever guessed where the shadow would be. No account. No subscription. No tracking.