Artemis Director's Viewfinder vs CamPlot Creator

Artemis offers a comprehensive database of professional motion picture cameras and lenses, with the facility to add any custom camera format. Hear from our users: Roger Deakins ASC, BSC: Cinematographer (Two Academy Awards wins, 16 nominations) Blade Runner 2049, Sicario, James Bond: Skyfall, The Shawshank Redemption - “It’s great having Artemis on my iPhone. Since I always have my phone with me, I always have a viewfinder at hand. Not only convenient but extremely accurate.” Claudio Miranda ASC: Cinematographer Top Gun: Maverick, F1, Life of Pi, Benjamin Button, Oblivion - “I've been using Artemis from the very beginning. I love that it's a shared tool. First between the director and myself. Then once we approve shots, the images from Artemis get shared with the crew.” Kate Dennis DGA: Director The Handmaid’s Tale, Glow, The Serpent Queen - "Artemis has streamlined my communication with cinematographers, VFX supervisors and other Heads of Department. Now we all know that we are talking about the exact same frame!" Linus Sandgren FSF: Cinematographer Saltburn, La La Land, Babylon, Joy, American Hustle - "Artemis is an amazing Swiss army knife style lens kit that has helped me frame up countless shots in any format in an instant.” Matthew Libatique ASC: Cinematographer Maestro, A Star is Born, Black Swan, Requiem for a Dream, The Fountain - "Not only do I frame every shot with Artemis , I use it to record blocking rehearsals and as part of my process when debating lens and format choices as I work with a director and production designer while location scouting.” Nicolas Winding Refn: Director Too Old to Die Young, The Neon Demon, Only God Forgives, Pusher - "Artemis Pro has tapped into the way of the future by taking full advantage of the digital revolution. The app quickly became an essential tool to capturing my vision.” Mandy Walker ASC, ACS: Cinematographer Elvis, Mulan,, Hidden Figures, Truth, Australia - "Both Artemis & Artemis Prime are essential tool when scouting locations, allowing accurate information to pass from the director and DP to the crew" Barry Ackroyd BSC: Cinematographer Jason Bourne, The Big Short, Captain Phillips, Hurt Locker - "Artemis makes me feel smarter than I was without it. It’s the sharpest tool on my iPhone.” Toby Oliver ACS Cinematographer Get Out, M3GAN 2.0, Happy Death Day, Insidious IV, Wolf Creek 2 - "Artemis Pro is so well thought out. You can precisely choose the camera package and lenses you have to hand to obtain exact ideas of shot angles and sizes on the location survey.” Darius Khondji ASC, AFC, ACS: Cinematographer Bardo, Okja, The Lost City of Z, Delicatessen, Se7en - "Artemis is the best cinematic tool of modern times. I started using Artemis in 2010 and have loved it ever since. It is so accurate with up to date lenses, cameras and formats. It is always with us on scouts and during shoots. Artemis allows the director and I to share how we see things with each other and with the rest of the crew.” Robert McLachlan ASC, CSC: Director / Cinematographer Landman, Yellowstone, Game of Thrones, Westworld - “On Game of Thrones we scouted locations months in advance. Artemis allowed me to communicate our needs to the VFX and art departments. It was critical in planning the Dance of Dragons sequence.” Artemis also offers: - Virtual Stand-Ins, to assist in blocking actors - Custom Frame-lines - Share camera & lens setups with other Artemis users - Record Images & Videos - Gallery for sorting and planning - Export of Shot-lists & Storyboards - Export of detailed Shot-Plans with sun position data (if paired with the Helios app) https://www.apple.com/legal/internet-services/itunes/dev/stdeula/

CamPlot is the plotting tool multicam directors actually think in. Place cameras, subjects, and lights on the real ground plan, see exactly what every lens covers, and hand your crew a live plot that updates the moment you change it. THE PLOT Drop cameras and subjects with a tap. Tag each camera with operator, camera type, lens, support, and shot type — your operator roster auto-fills them across every setup. Import the ground plan from your art director, scale it to real dimensions, and plot over the actual set. Organize a whole production as multiple setups in one project. REAL LENSES, REAL COVERAGE Set focal length in millimeters, toggle Full Frame and Super 35, and stretch the FOV cone to any distance with live frame-width readouts. Lock a camera onto a subject and it tracks as either one moves. Scale and measure real distances in feet and inches. A TRUE DIRECTOR'S VIEWFINDER Hold up your iPhone or iPad and see the shot through the real camera. Pick the body — Alexa, FX6, Komodo, Ronin 4D and more — swipe through your lens kit on an endless roll, and grade the image with true 3D LUTs — 200+ cinema looks plus your own .cube files, exportable for your camera's log. See the sun's path drawn over your framed shot for any date using your location and compass — golden-hour planning while you're still scouting. On Pro iPhones, a LiDAR measure mode reads the exact distance to your subject. Captures save silently to a CamPlot album in Photos and onto the camera in your plot. THE CALCULATORS — FREE WITH ANY ACCOUNT Five cinematographer's tools, unlocked at every level. Media: recording time on any card for dozens of real cameras and their actual formats. Depth of field: a live photographic preview you can pinch to reframe, with staggered subjects that fall out of focus. Sensor sizes: any sensors drawn to scale. Exposure: interlocking ISO, aperture, shutter, and ND dials that balance each other like a real camera. Sun and Moon: the day's light, shadow direction and shadow length at any location and date. MOVEMENT, JIBS, AND DOLLIES Plot camera and subject movement with multi-point paths, save a lens and facing per position, and hit play to watch your blocking come alive. Put a camera on a jib arm or dolly track and CamPlot keeps every move within what the rig can physically do. BUILT FOR THE CREW Share a link and the entire crew sees the plot live — free for viewers, no downloads. Give your AD full edit access with a session change log and one-tap undo. Crew keep private markup and notes on any shared plot without touching the original. Changed the plot an hour before rehearsal? Hit Notify and every crew member gets a push summarizing exactly what changed. READY FOR THE TRUCK Generate a complete camera report — tags, lenses, support, operators, shot types — with setup-to-setup changes highlighted automatically. Track inventory so you know the moment a plan calls for more gear than the truck carries. Export any setup as PDF or JPEG, or a whole project as a multi-page PDF. Every change saves to the cloud with rolling backups, and works offline — your changes sync the moment you're back on signal. ACCOUNT LEVELS CamPlot Crew is free forever: view shared plots live, camera and inventory reports, push notifications, and all five Calculators. CamPlot Plus adds private markup, PDF export, and the full Director's Viewfinder. CamPlot Max adds building and sharing your own plots, cloud storage, and live crew collaboration. SUBSCRIPTIONS CamPlot Max: $49.99/year or $4.99/month. CamPlot Plus: $29.99/year or $3.99/month. Payment is charged to your Apple Account at confirmation of purchase. Subscriptions renew automatically unless auto-renew is turned off at least 24 hours before the end of the current period. Manage or cancel anytime in your device Settings. Terms of Use (EULA): https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://camplot.studio/privacy.html