WOOTT vs BLEASS Compressor

WOOTT is an Audio Unit plugin (AUv3 audio effect) inspired by the infamous OTT sound. WOOTT uses a triple band dynamics algorithm with simultaneous downwards AND upwards compression, and adds a dedicated limiter to each band. So what's all that techno mumbojumbo good for? 1. First, it slams all the loud, dominant aspects of your sound 2. Next it blows up all the subtle quiet bits that were hiding below As a result, it's perfect for: - Blowing up average sounds to massive proportions - Giving an aggressive sharp edge to synthesizer filters - Bringing out subtle details and movement that would otherwise get lost in the mix (in a hamfisted way, though) - Dusting off old breakbeat samples and loops - Hyping specific aspects of your synth lines - Making generally boring things more interesting WOOTT features: - AUv3 audio unit effect plugin - Universal (all iPads and iPhones supported + MacOS M & Intel) - Runs in all your favorite AUv3 plugin hosts: Cubasis, AUM, Beatmaker 3, Nanostudio 2, Garageband, etc. - Multi-output (requires compatible host) for post-processing the individual bands - Low-resource, so stack as many of them as you like - "[WO]OTT all the things!" - Downwards *and* upwards compressors (a rare feature on conventional dynamics plugins) - Smart soft limiter per band, adapts to its own band's specific settings - Mono switch makes low-band signal monaural for an extra tight bass Note: this is not a subtle effect. If subtle and minimal are what you're after, this is not the droid you're looking for :-)

Controlling the dynamics of your parts and recordings is an essential step towards a professional sounding mix. With BLEASS Compressor’s powerful performance and intuitive user interface, such pro-grade dynamics control has never been easier. BLEASS Compressor’s flexible dynamics engine makes it an ideal choice in many different situations. With compression ratios of up-to 60:1, a variable knee, and flexible attack and release stages, BLEASS Compressor can deliver a wide range of different response characteristics. The plug-in’s flexibility is further enhanced by a powerful dual filter that operates on the analysed signal, providing both low-pass and high-pass filtering. The filters work on both internal and sidechain signals, and are resonant too, making it easy to create dynamics effects that are highly frequency dependant. Despite its versatility and power, BLEASS Compressor is simple to setup and work with. Compression and filter curves are set using tactile graphical widgets, whilst you receive constant easy-to-read visual feedback about how the plugin is operating. Perhaps best of all, BLEASS Compressor is ultra-efficient, so you can include its intuitive dynamics control to any-and-every part that needs it. Also available for Desktop (VST3 / AU / AAX) Tech specs, tutorials and more info available on https://www.bleass.com/compressor/