WaveCloud vs Weeping Wall

WaveCloud is an innovative granular synthesizer that offers powerful tools for manipulating and playing sounds. Granular synthesis divides an audio sample into tiny fragments, called grains, each typically a few milliseconds in length. These grains are then manipulated independently in terms of pitch, duration, position in time, and amplitude. Unlike traditional synthesis, the capability to manipulate tiny grains of audio offers enormous precision of sound control, transformation, and compositional possibilities. WaveCloud offers a wide range of tools for experimentation – oscillator, LFOs, filters, envelopes, routing matrix, innovative WaveGlide and Orbit modules for grain movement, effects, MPE support, extensive waveform editing, customizable themes, MIDI CC control, aftertouch, audio pool manager, and 200+ presets to get you started. Granular synthesis is extremely versatile and can produce a vast range of sounds and textures, from subtle, atmospheric sounds to complex, dynamic ones. WaveCloud offers dozens of parameters, enabling you to sculpt the sound grains in any way you wish – textural pads and atmospheres, time-stretched effects, glitchy and stutter effects, vocal and instrumental manipulations, granular synthesis percussive sounds, experimental effects, as well as microtonal and harmonic soundscapes. WaveCloud features a drag and drop system for importing and exporting of audio files and presets. It has its own built-in Preset and Audio Managers to help keep everything in order. WaveCloud even features a fully-fledged zoomable audio editor along with a suite of tools to crop, fade, cut, copy, paste, and normalise your samples. We include a morphing 3-state Oscillator to support the granular engine. The granular engine allows up to 50 grains per second per note, with grain lengths up to a second in length. Grains can be sculpted with our morphing envelope generator, manipulated with our LFOs, FEGs and VCFs, and passed through lots of randomisation to keep things continually evolving. WaveCloud also features two unique features for adding movement to audio grains. Orbit mode allows you to play sweeping patterns tied to the physical host tempo of your DAW, and WaveGlide is a sequencer with glides and fades from one location to another. To top it all off, we include 7 built-in effects, delay, reverb, chorus, overdrive, phaser, resonator, and 8-band EQ. The resonator controls per-note feedback and dispersion for amazing MPE effects. WaveCloud is not only a deep and powerful granular synth but also a fun way to create many incredible sounds. Features • Over 200 presets • 3-state morphing oscillator (sine, square, saw) • Morphing grain shapes • 2 low-frequency morphing oscillators • 4 multistep envelope generators • 2 visual filters (series and parallel modes) • Per-channel feedback resonators with dispersion • MPE Support (per-channel pitch bend, aftertouch, and CC74) • Orbit mode • WaveGlide sequencing • Fully Featured Mod-Matrix • Direct record and playback of samples • Built-in sample editor with editing tools • 7 built-in effects • Built-in Audio Manager with drag and drop support • Preset Manager with easy import/export, drag and drop • Colour scheme editor

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.