Digilog Camera vs AnamorphicDesqueezer

DIGILOG CAMERA is a camera app built around image development rather than effects. Instead of applying filters, each frame is processed through a custom pipeline starting from the sensor’s linear signal: color space handling, gamma shaping, color balance, and a final look designed to behave predictably. The app is informed by years of color grading work in DaVinci Resolve, with the goal of bringing a disciplined, film-oriented approach to image creation on the iPhone. DIGILOG supports open-gate recording and professional codecs such as ProRes 422 and H.264, allowing more control over framing and post-production than the standard camera app, even on older devices. DIGILOG is not about style presets. It’s a practical exploration of how light, color, and code interact.

Anamorphic Desqueeze is a professional anamorphic desqueeze tool built for filmmakers working with anamorphic lenses. Designed for anamorphic cinematography, it gives you precise manual desqueeze control, real-time monitoring, professional exposure tools, cinematic capture controls, and true CinemaScope export with ProRes and 10-bit. If you shoot anamorphic, this app is built for you. Professional Anamorphic Desqueeze • 2.0x desqueeze is free • 1.33x, 1.55x, and custom ratios are available in Pro • Custom ratio slider • Preview matches export • No automatic detection — full manual control Live Anamorphic Desqueeze Monitor • Real-time desqueeze preview • Toggle squeezed / desqueezed view • 2.39:1 CinemaScope framing guides • True anamorphic aspect monitoring Professional Monitoring Tools • Zebras • Waveform with IRE scale • False color • Focus peaking • Luma and RGB histogram • ISO, shutter speed, and white balance display Cinematic Capture Controls • Cinematic f-stop on supported iPhones running iOS 26 or later • Create cinematic background blur and stronger subject separation • Set depth of field before recording • Zoom and framing are preserved in the movie • Selected ISO and exposure are captured into the shot • Color looks can be baked into the exported video • What you frame, expose, and grade is what you export Cinematic f-stop requires iOS 26 or later and a device that supports Apple Cinematic Video capture. Cinematic Color Looks Standard, Black & White, Warm, Cool, Teal & Orange, Golden Hour, Day Exterior, Night Interior, High Key, Low Key, Soft Film, Bleach Bypass, Moonlight, Rich Contrast, Vibrant, Flat, Print, Apple Log, and Apple Log 2. Export True CinemaScope • Correct 2.39:1 CinemaScope ratio • No stretched footage • Save to Photos • Export to Files with ProRes and 10-bit options • FCPXML timeline for Final Cut Pro • Per-clip framing, LUT, and trim Anamorphic Photo and Batch • Desqueeze anamorphic photos • RAW / DNG support • Batch desqueeze multiple clips • Export per clip or merge to one timeline Record to SSD On iOS 17 or later, connect a USB-C drive and record directly to it. Keep iPhone storage available and leave the drive connected when exporting that take. Time Remaining See remaining recording time for the current resolution and frame rate. The indicator turns red under three minutes. Audio Meter and Microphone Monitor audio levels and select the built-in, USB-C, or wired microphone before recording. 2.0× free, every other ratio in Pro. Preview and export at 2.0× are included. Pro unlocks 1.15×–1.8×, Custom, batch workflows, and ProRes / 10-bit export. How to Use 1. Choose Live Monitor or Post for photos and videos. 2. Select your anamorphic desqueeze ratio and framing. 3. Set f-stop on supported iOS 26 devices, zoom, ISO / exposure, and color look. 4. Monitor with waveform, zebras, false color, focus peaking, histogram, and 2.39:1 guides. 5. Record with your chosen framing, exposure, cinematic depth, and color. 6. Export to Photos, Files, or FCPXML. For batch workflows, import clips, set ratio and codec, then export individually or merge into one timeline with correct CinemaScope geometry. Built for a Faster Filmmaking Workflow Frame anamorphic shots correctly while shooting, monitor exposure and focus, set cinematic depth, zoom, ISO, and color, then carry those creative decisions through to export. Spend less time fixing squeezed footage later and reduce the gap between what you monitor on set and what appears in the final movie. Ideal for cinematographers and DOPs, independent filmmakers, short film and commercial teams, 2.39:1 creators, film schools, studios, and rental houses. Who It’s For Cinematographers and DOPs, independent filmmakers, short film and commercial teams, 2.39:1 content creators, film schools, studios, and rental houses working with anamorphic lenses. Anamorphic Desqueeze is a dedicated anamorphic desqueeze solution for cinematic lens workflows.