Track8 vs MultiComb

Track8 is a focused 8-track recorder for iPad, iPhone and Mac: press record, play, done. It is the same software that runs on the Track8 hardware recorder, so it works as a complete recorder on its own, and it opens the hardware's projects unchanged if you own one. No timeline to arrange, no plug-in chains to manage before you can record. Eight audio tracks and eight MIDI tracks, a loop, punch in and out, markers for structure, and a mixer with track and master effects. Every control has one job and sits on the panel in front of you: tap the buttons, drag the encoders, and use the screen in the middle for editing, exactly as on the hardware. What you can do - Record audio and MIDI on eight tracks each, with loop, punch, count-in and a metronome - Arrange with markers: jump, loop, copy and move whole sections - Edit audio and MIDI on the device, with undo - Reshape recordings with the Clipboard Modifier: time, pitch, granular, spectral, filter and voice tools, for audio and for MIDI - Mix with track and master effects, sends and automation - Host AUv3 instruments and effects as outboard gear, wired like a hardware synth or pedal - Use any audio interface, including multi-channel ones, with low latency on recent iPads and iPhones - Map USB, Bluetooth and network MIDI controllers with MIDI Learn - Export mixes and stems to a folder of your choice With or without the hardware Projects are plain files that move between the app and the Track8 hardware in both directions. Record on the go, finish on the desk, or use the app as your only recorder. Track8 is not a DAW and does not try to be one. It is a recording instrument: immediate, obvious and fast, so the idea gets recorded while it is still an idea.

MultiComb turns a bank of moving comb filters into a playable sound-design effect. Four independent comb voices create shifting resonances across the stereo field, each moving with its own timing, spacing, and character. Smooth modulation keeps the bank alive while Bite introduces stepped sample-and-hold disturbances that push individual combs into new resonant relationships. The result can move from hollow coloration and subtle animation to metallic ringing, mechanical movement, fractured resonance, and unstable tonal textures. MultiComb works across drums, vocals, pads, guitars, percussion, and full electronic textures—but it especially comes alive on leads, basslines, arpeggios, plucks, and other short-note sequences. Individual notes excite the comb bank differently, turning simple melodic or rhythmic patterns into animated, resonant phrases. Teeth reshapes the fundamental comb structure. Motion keeps it moving. Spread pulls the voices apart. Feedback lets resonances ring. Color moves from dark and hollow toward bright, steel-like character. And then there’s Bite. Bite introduces independent stepped disturbances across the comb bank. At restrained settings it adds little irregular catches and tonal shifts. Push it harder and the resonances begin snapping into fractured, metallic relationships of their own. Seven controls. Four combs. Lots of teeth. Features Four independently animated comb-filter voices Moving, evolving resonant structures Independent sample-and-hold disturbances across the comb bank Wide stereo spreading and voice separation Dark, hollow through bright, metallic tonal character Controlled high-feedback resonance Smooth continuous motion combined with stepped instability Particularly expressive on leads, basslines, plucks and short-note sequences Factory presets ranging from subtle coloration to fractured metallic textures