TETSUO vs EchoSketch

TETSUO is a chaotic percussion machine. No samples, no library. One voice built out of a pitched body with noise dragged through it, a resonant filter that saturates the harder you lean on it, a bitcrusher, and a waveshaper that runs from a bit of weight to total structural failure. The sequencer is sixteen unseen slots and STEPS knob decides how many of them fire, adding and taking away hits one at a time in a fixed order, so you can strip a pattern to the bone and build it back and the same beats come home. The SKIP control works against you on purpose, stealing hits at random while it plays, so it never quite settles. MUTATE modulates the pitch at random, setting fire to voices on every turn. You do not program TETSUO so much as negotiate with it. The strip along the top is how you attempt to hold onto anything. Sixty four steps, four turns of pattern, carved into as many as eight sections. Select a section. Find a sound. Hit RECORD, and that section keeps every knob position. Change it, record the next, then hit PLAY and it walks left to right dropping each snapshot in as it reaches it, looping. Drag the dividers to give a section longer or cut it short. It keeps settings, not audio, so the engine is playing live the entire way through. Sections save with your presets and your session. AUv3 and standalone.

EchoSketch turns delay and reverb into a live, playable instrument. Shape your sound in real time using a responsive X/Y performance surface designed for intuitive touch expression. At its core are four great-sounding delays: digital, analog, ping-pong, and reverse. The range for each parameter and the XY axes direction can be set independently, allowing you to easily morph between sounds. It works as an Audio Unit plugin or standalone — iOS or Mac. Comprehensive Delays • Digital (patterned after a legendary '80s rack delay), Analog (warm, with tape-style pitch glide), Reverse, and Left/Right Ping-Pong • Delay times can sync to tempo or be set in milliseconds • Feedback features delay-dependent tone shaping — bright for short delays and darker for long ones Convolution Reverb • Stereo or mono Spring, Plate, and Hall • Reverb path is separate from the delay (same as vintage tape echo units), so repeats don’t get washed out Modulation and Filter • Analog-style modulation for chorused, warbly pitch echoes • Tone control — darken or brighten delays, with a center detent for flat Designed for Hands-On Performance • HOLD / LIFT — leave the XY cursor in place, or touch the pad for momentary delay sounds • FREEZE — set the current feedback into an infinite loop and play over it • MOTION — record a gesture on the XY pad and loop it Presets and More • Presets are transferable between hosts • Two looks — light "Trail" and dark "Glow" • Works standalone with live audio or as an AUv3 plugin • Universal — iPad/iPhone also gets you the Mac version — one purchase • Mac: after installing, open EchoSketch once to use it as a plugin in your DAW • Works in AUM, AudioBus, GarageBand, Logic, and other AUv3 hosts