Brusmaskin vs Loop Breaker

Brusmaskin is a pocket groovebox — an 8-track synthesizer, sampler and sequencer for making complete tracks wherever you are. SEVEN SOUND ENGINES FM synthesis with a subtractive filter stage, a raw mono synth with drive and wavefolding, a lush 7-voice supersaw, a dedicated drum synth with FM percussion, filtered noise and attack transients, a plucked string (Karplus–Strong) with a pick that changes every note, and GRAIN — a granular engine that plays any sample as a cloud. Plus a sampler with stereo samples, slicing, key-mapped chopping, non-destructive trim and a start offset for ghost notes. The same audio plays both ways — sampler or cloud — with zero copies. RESAMPLE YOURSELF Capture any track with one button — it keeps playing while the recording runs through its own private effects, so the take carries the filter, the drive and the track's own reverb and delay tail, in stereo. Then listen and choose what it becomes: a sample, a grain cloud sliced on the hits, or a playable kit where each note is one hit. Or record from the microphone, or GRAB the last 30 seconds of the master — the take you just played but forgot to record is still there. DEEP MODULATION Three envelopes and three LFOs per sound, each with three freely routable destinations — and every target lives on every engine. Vibrato on a sample, a moving noise filter on a drum, an LFO that rechops a break on every note, an envelope that scrubs a grain cloud through a field recording. HOLD, CURVE and END floors turn envelopes into drones. DEEP STEP SEQUENCING Per-step trig conditions, probability, ratchets with pitch rolls, swing, and patterns up to 128 steps with independent speed and length. An arpeggiator with chord pools, inversions and free-run mode. Sound locks put a different sound on any step, and per-step parameter offsets shape your sounds over time. SONGS, NOT JUST LOOPS Chain patterns into parts, phrases and full songs. Perform live in the performance view, mix with per-track faders, and glue everything together with chorus, delay and a rich plate reverb. Sidechain ducking built in. HANDS ON MIDI learn maps any knob, fader or button on your controller to sounds, mixer faders, mutes and solos — with soft takeover so nothing jumps. 576 factory presets cover every engine, and an INIT patch per engine gives you a clean starting point when you want to build from scratch. YOURS Projects and sample banks are stored in iCloud Drive as plain files you can see and back up. Scale-aware note entry, a built-in browser of vintage drum machine sample packs, and video import that pulls the audio straight out of a screen recording. No account, no subscription, and everything works completely offline.

Loop Breaker is a gamified audio processing environment that periodically forces you to make choices about how your audio loops should change and how your compositions should unfold. This is primarily achieved through a modifier system; every few bars, a new modifier appears in a queue. You must decide which of your loops should be affected by the modifier. If you make no choice, Loop Breaker will decide for you. Change is the only constant. Modifiers include standard audio effects like reverb, delay, chorus, filters, granular delay, auto-pan, and tremolo. Each of these effects has multiple parameters that are set on the fly and include various onset times. Other modifiers effect loop playback: you can change the playback speed, reverse playback direction, time-stretch, re-pitch, move loop brackets via the parts system, and slice loops and then shuffle, arpeggiate, or repeat them. Modifiers stack. Within minutes, your loops will wander down their own paths and recombine to create something previously unimaginable. Loop Breaker also contains a robust probability system for controlling how likely it is that modifier types will appear in the queue and how likely it is that an individual loop will be targeted for modification, should you cede decision-making responsibilities to Loop Breaker. The probability system responds to MIDI CC messages, so you can dynamically change probability settings with MIDI controllers, automation lanes in your DAW, or via modulation sources. Loop Breaker also contains a preset system for saving and recalling modifier stacks. Take your explorations as far as you want, save a new preset, and then recall it later on, even between sessions. Like the pads and probability system, presets also can be controlled via MIDI. Still not enough exploratory madness for you? Record and resample the audio output and then re-apply it to a pad or process it further in your DAW. Loop Breaker works both as a standalone app and as a AUv3 plug-in. Loop Breaker knows that you have a hard drive full of 4-bar loops that you never turned into finished compositions. Loop Breaker wants to help. Loop Breaker wants to make sure you don't get stuck in a loop.