ToneStack vs Weeping Wall

ToneStack is the ultimate UNIVERSAL app for signal processing: with the LARGEST and BEST selection of AMPS & FX, the latest advancements in modeling technology, and an unbelievably powerful yet simple interface – it simply shreds all the other guys.  Thanks to ToneStack's state-of-the-art “Virtual Circuit” technology, each ToneStack unit is the digital mirror image of a real analog topology. Unlike other FX apps that try to copycat with EQing and other gimmicks, ToneStack recreates the intricate designs of the real thing. The result is a warm, responsive tone with the natural behavior you find in analog units. Best Selection of Pro Amps & FX ToneStack offers a huge range of amps, cabs & FX: from sparkly clean to sizzling hot bias tube amps, iconic stompboxes, pro-grade rack units, and high-end reverbs, ToneStack is the most complete plugin suite on the iOS. Right away, enjoy 6 classic amps & cabs, and 21 meticulously designed FX. Expand to a total of 46 amps, 44 cabs, and 101 FX – the largest collection on iOS. ToneStack also brings many powerful guitar FX to the iOS for the first time: polyphonic octaver, harmonizer, realistic spring reverbs, virtual-reel tape delays are just a few examples. The Most Versatile Signal Chain on iOS Why be limited with just 4 or 8 FX that other guys max you out at? ToneStack lets you run a whopping 64 amps & effects simultaneously* so you can let your imagination run wild. For even more power, ToneStack includes our unique original ABY unit. Split your signal anywhere: run dual amp setups, switch or blend FX chains, or multiplex your signal via frequency splitting – countless permutations, all up to you. You can match any amp with any cab (all cabs have 3 mics with distance & position settings); you can insert any unit anywhere – even between amps and cabs like a true FX loop. Managing your signal chain is as easy as dragging and dropping an icon! inSTUDIO & Other Goodies Wanna quickly jam out an idea, or cut a song and share it? ToneStack offers a powerful 8-Track recorder – first two tracks free — with plenty of user-friendly features. Fire up the built-in Tapedeck to quickly record an idea or create loops, or manipulate audio with its Hi-Q pitch & time shift. Import & export audio via email, WiFi, iTunes or copy/paste. Built-in tuner, metronome and a custom onSTAGE mode are just a few other amazing ToneStack features. All the Pro Features of iOS Enjoy the full power of the platform’s top MIDI and Preset systems. MIDI learn is super-intuitive thanks to ToneStack's WYSIWYG interface: all the amp & FX controls are MIDI-programmable. Effortlessly create UNLIMITED banks and presets – share them at the touch of a button. ToneStack is an Inter-App Audio effect, and works in any Audiobus slot. ToneStack also allows you to insert other Inter-App Audio apps anywhere in your signal chain. Highlights • “Virtual Circuit” amp & FX modeling technology • Units modeled after real-life circuits • ABY: split signal anywhere, use dual amp setups, blend, pan or switch FX chains & more • Complete collection: 46 amps, 44 cabs, 101 FX, with stompboxes & rack-units and more! • 64 simultaneous amps & FX* • Independent amps & cabs • 3 mics per cab w/ distance & position setting • 8-Track recorder w/ 2 tracks free • Tapedeck w/ punch looping, sample-accurate rec, pitch/time manipulation, FX send • Tuner w/ permanent & fullscreen modes • Metronome, tap tempo, settable time signature • onSTAGE mode w/ quick preset load & FX toggle • Extremely powerful MIDI: control any amp or FX parameter • Easy MIDI Learn • MIDI prog changes + bank & preset up/down • Inter-App Audio Hosting; Insert IAA apps anywhere in your signal chain • Audiobus support • Works w/ iOS compatible USB or headphone interfaces (USB recommended for best audio quality) * Device CPU limitations apply

Weeping Wall is a standalone app and AUv3 plug-in. WW is a set of microloopers that automatically record based on input detection. Each new sound will be smoothly introduced and replace older sounds, resulting in a group of sounds that always reflect the most recent input. Each looper behaves independently - their size can vary and they will beat against each other as they phase. Up to 5 loopers are available to record into, with repitching and reverse controls as well. A dedicated “jitter” control allows you to randomly vary the size of each looper on each loop, creating variations that will never be heard again. Weeping Wall can be used as an effect directly on a track, or as a send effect. WW is intended to be a modular tool; it doesn’t include reverb, EQ, saturation, flutter, etc., but it plays extremely well with them. WW is a brand new effect that can be used in any number of creative ways - you can place it fully wet in front of a reverb, place a hint of it behind a saturator, combine it with your favorite pitch modulation - whatever you can dream. WW is fully compatible with automation and modulators such as Ableton CV to broaden the horizons even further. Weeping Wall has the following controls available: Threshold: The volume at which input will start recording into a looper. Looper size: The size of loopers, in seconds, from 0.1s to 3s. Jitter: A control for desynchronizing loops. Loops will be randomly shortened, and each one is free to change size independent of one another. Semitones: Repitch loops, with a range of +/- one octave. Reverse: A latching control to reverse looper playback. Looper number: Up to five loopers are available. Hold time: How long loops will be held before fading away, from seconds to forever. This essentially controls whether WW functions more as a looper or as a delay. Independent dry and wet volumes: Use WW as an effect directly on your track, or as a send effect. Beat syncing: Loopers can be synced to your tempo, from 1 whole measure to 1/64th notes. Macro-looper mode: Loops can grow to up to 60 seconds in length. Transport syncing: Loopers can be paused or destroyed on pause. Live performance mode: Enables a button-based UI designed with live performance in mind. Random skip: Loops can be randomly skipped over with some probability. Crossfade length: Control the length of the crossfade occurring at the start/end of each loop to keep sharper transients or smooth them off. Fade time: Control how long loops take to fade in/out. Filters: The wet channel can be high or low pass filtered for dialing in your sound.