foolcontrol vs Artemis Director's Viewfinder

foolcontrol lets you get full control over a RED DIGITAL CINEMA DSMC™ camera connected to the same network as your iOS device, WEAPON, EPIC-W, SCARLET-W and RAVEN all have built in wifi but EPIC / SCARLET cameras require additional wireless accessories to work with foolcontrol (see below). - PREVIEW : recording state, format, project / sensor frame rate, timecode, pre-record, frame trigger frame tagging, OLPF, REDcode, lookaround, shutter angle / speed, histogram, goal posts, traffic lights, gamma / color space, recording mode, frame processing, HDRx, Motion Mount, iris vale, white balance, tint, ISO, tools, RAW view, magnify, production info, scene and take metadata, VU meter, battery level / time left, media remaining / recording time, clip count, clip name, previous clip info. Indicators for : LAN, ext. timecode, sync, genlock, RIG, errors, camera fan speed and temperature. Eject media, power saving modes and shutdown the camera. - FOCUS : Circular focus disc with advanced features : colored users marks, smooth bezier rack focus with adjustable speed, add hard stop for near/far focus, select 1,2,3,4,5 or 10 knob turns for super precise focusing without loosing any previous marks, searchable preset focus discs markers, create, recall, sort, rename and export your own user focus distance discs : unique mode lets you add repeatable distance marks for your lenses. AF mode selection, autofocus trigger, AF zone size and center, rack focus mode points recall, iris, magnify, record start stop, audible marks and more. - LOOK : set camera look using a multi speed slider or manual value input : contrast, exposure, saturation, shadow, brightness, RGB gains, kelvin, tint and FLUT. Color temperature presets, auto white balance, ISO, color / gamma space. - CURVES : Shape luma, red, green and blue curves to create in-camera grades. Drag curves points using 3 different modes for normal, fine, and super fine curve adjustment. - PLAYBACK : list all the clips on your media with timecode, thumbnail and duration. Play forward, backward, frame by frame, go to end and beginning, set in/out points, navigate marked frame, set playback speed and looping mode. - KEYS : navigate your camera menu using knob, buttons or gesture pad. Access to all buttons and menu pages. - PRESETS : create and apply camera presets. A preset can include one or several parameters from look, curves, camera settings, slate and many more. Presets can be sorted, renamed and exported by email. - SLATE : quickly set metadata values for production, director, DOP, scene, shot, take, project info, camera operator, unit and location. GPS location (on GPS enabled devices). Set timecode mode and value. - CAMERA MENU tree - RECORD SETTINGS with access to advanced record formats, mode and options. - LINEAR FOCUS for single operators ------------- To use an EPIC or SCARLET camera with foolcontrol on the same wifi network you will need to use one of these : - RED lemo to cat5 ethernet cable and a GIG-E wireless router. - RED REDLink bridge wifi module. - Teradek COLR and GIG-E to lemo cable. - RTMotion latitude WEAPON / EPIC-W / SCARLET-W and RAVEN have built in wifi ready for foolcontrol. Wooden camera has an antenna replacement accessory called the 'Wifi Side Plate' to increase camera wifi range. It is always recommended to use a router on set (infrastructure mode) instead of the Ad Hoc network setup in camera. TPLink WR802N is a great affordable USB powered option. connection tips : foolcolor.net/tips.pdf more info, video demos and support : http://foolcolor.net/foolcontrol_iOS IG : @mikafool Please note : This application requires iOS 9.3 and up and will only work with RED DSMC cameras. It does not work with the RED ONE or any other camera. Focus control requires a RED Canon or Nikon mount and a compatible electronic lens.

Artemis offers a comprehensive database of professional motion picture cameras and lenses, with the facility to add any custom camera format. Hear from our users: Roger Deakins ASC, BSC: Cinematographer (Two Academy Awards wins, 16 nominations) Blade Runner 2049, Sicario, James Bond: Skyfall, The Shawshank Redemption - “It’s great having Artemis on my iPhone. Since I always have my phone with me, I always have a viewfinder at hand. Not only convenient but extremely accurate.” Claudio Miranda ASC: Cinematographer Top Gun: Maverick, F1, Life of Pi, Benjamin Button, Oblivion - “I've been using Artemis from the very beginning. I love that it's a shared tool. First between the director and myself. Then once we approve shots, the images from Artemis get shared with the crew.” Kate Dennis DGA: Director The Handmaid’s Tale, Glow, The Serpent Queen - "Artemis has streamlined my communication with cinematographers, VFX supervisors and other Heads of Department. Now we all know that we are talking about the exact same frame!" Linus Sandgren FSF: Cinematographer Saltburn, La La Land, Babylon, Joy, American Hustle - "Artemis is an amazing Swiss army knife style lens kit that has helped me frame up countless shots in any format in an instant.” Matthew Libatique ASC: Cinematographer Maestro, A Star is Born, Black Swan, Requiem for a Dream, The Fountain - "Not only do I frame every shot with Artemis , I use it to record blocking rehearsals and as part of my process when debating lens and format choices as I work with a director and production designer while location scouting.” Nicolas Winding Refn: Director Too Old to Die Young, The Neon Demon, Only God Forgives, Pusher - "Artemis Pro has tapped into the way of the future by taking full advantage of the digital revolution. The app quickly became an essential tool to capturing my vision.” Mandy Walker ASC, ACS: Cinematographer Elvis, Mulan,, Hidden Figures, Truth, Australia - "Both Artemis & Artemis Prime are essential tool when scouting locations, allowing accurate information to pass from the director and DP to the crew" Barry Ackroyd BSC: Cinematographer Jason Bourne, The Big Short, Captain Phillips, Hurt Locker - "Artemis makes me feel smarter than I was without it. It’s the sharpest tool on my iPhone.” Toby Oliver ACS Cinematographer Get Out, M3GAN 2.0, Happy Death Day, Insidious IV, Wolf Creek 2 - "Artemis Pro is so well thought out. You can precisely choose the camera package and lenses you have to hand to obtain exact ideas of shot angles and sizes on the location survey.” Darius Khondji ASC, AFC, ACS: Cinematographer Bardo, Okja, The Lost City of Z, Delicatessen, Se7en - "Artemis is the best cinematic tool of modern times. I started using Artemis in 2010 and have loved it ever since. It is so accurate with up to date lenses, cameras and formats. It is always with us on scouts and during shoots. Artemis allows the director and I to share how we see things with each other and with the rest of the crew.” Robert McLachlan ASC, CSC: Director / Cinematographer Landman, Yellowstone, Game of Thrones, Westworld - “On Game of Thrones we scouted locations months in advance. Artemis allowed me to communicate our needs to the VFX and art departments. It was critical in planning the Dance of Dragons sequence.” Artemis also offers: - Virtual Stand-Ins, to assist in blocking actors - Custom Frame-lines - Share camera & lens setups with other Artemis users - Record Images & Videos - Gallery for sorting and planning - Export of Shot-lists & Storyboards - Export of detailed Shot-Plans with sun position data (if paired with the Helios app) https://www.apple.com/legal/internet-services/itunes/dev/stdeula/