Lighting Designer vs Artemis Director's Viewfinder

Never draw a lighting setup on a scrap of paper again. Lighting Designer is a quick and intuitive way to create overhead lighting plots for film, theater, television, concerts, and anything else you can light. The wide selection of equipment and simple yet powerful interface makes it easier than ever to illustrate and communicate your lighting setups, from most Apple devices. Your Silicon Mac is powerful and gives you the most screen to work with; your iPad is large and versatile; your iPhone will go with you anywhere. And if you like, your work can sync among all your Apple devices using iCloud, so you can start plotting on one and finish on another. LD is perfect for tech scouts, working while traveling, or just choosing the couch over your desk chair. While expensive drafting programs can take hours to use and years to master, Lighting Designer is an accessible way to plan your next show! Features: • Organize your setups into Shows, with details like shooting dates and crew members • Choose from over 2000 built-in types of lights, grip equipment, camera gear, actors, and objects like furniture and musical instruments • With a Crescit Premium account, you can have access to an additional 25,000+ pieces of lighting equipment, gels, and gobo templates • Use your own images to create custom fixtures on your Plots (read the User Guide for image specs) • For each light, specify wattage, beam spread, light output, DMX address, color, and many other details • Certain fixtures include info for exposure approximation; all can be user-configured and have their exposure reverse-calculated from real-world readings • Use Groups to create flexible collections of lights • Notes allow you to describe every detail of your setup • Pack your Truck to share gear among multiple Plots • Draw a Floor Plan using basic shapes, and images from your device • Lights can target other objects, and objects can rig onto each other for easy adjustments • Email editable Plots to the crew, with images, equipment, and crew lists • Undo/Redo functionality • Dark Mode presents a dark workspace to reduce eyestrain and minimize your device's light in a dark environment

Artemis offers a comprehensive database of professional motion picture cameras and lenses, with the facility to add any custom camera format. Hear from our users: Roger Deakins ASC, BSC: Cinematographer (Two Academy Awards wins, 16 nominations) Blade Runner 2049, Sicario, James Bond: Skyfall, The Shawshank Redemption - “It’s great having Artemis on my iPhone. Since I always have my phone with me, I always have a viewfinder at hand. Not only convenient but extremely accurate.” Claudio Miranda ASC: Cinematographer Top Gun: Maverick, F1, Life of Pi, Benjamin Button, Oblivion - “I've been using Artemis from the very beginning. I love that it's a shared tool. First between the director and myself. Then once we approve shots, the images from Artemis get shared with the crew.” Kate Dennis DGA: Director The Handmaid’s Tale, Glow, The Serpent Queen - "Artemis has streamlined my communication with cinematographers, VFX supervisors and other Heads of Department. Now we all know that we are talking about the exact same frame!" Linus Sandgren FSF: Cinematographer Saltburn, La La Land, Babylon, Joy, American Hustle - "Artemis is an amazing Swiss army knife style lens kit that has helped me frame up countless shots in any format in an instant.” Matthew Libatique ASC: Cinematographer Maestro, A Star is Born, Black Swan, Requiem for a Dream, The Fountain - "Not only do I frame every shot with Artemis , I use it to record blocking rehearsals and as part of my process when debating lens and format choices as I work with a director and production designer while location scouting.” Nicolas Winding Refn: Director Too Old to Die Young, The Neon Demon, Only God Forgives, Pusher - "Artemis Pro has tapped into the way of the future by taking full advantage of the digital revolution. The app quickly became an essential tool to capturing my vision.” Mandy Walker ASC, ACS: Cinematographer Elvis, Mulan,, Hidden Figures, Truth, Australia - "Both Artemis & Artemis Prime are essential tool when scouting locations, allowing accurate information to pass from the director and DP to the crew" Barry Ackroyd BSC: Cinematographer Jason Bourne, The Big Short, Captain Phillips, Hurt Locker - "Artemis makes me feel smarter than I was without it. It’s the sharpest tool on my iPhone.” Toby Oliver ACS Cinematographer Get Out, M3GAN 2.0, Happy Death Day, Insidious IV, Wolf Creek 2 - "Artemis Pro is so well thought out. You can precisely choose the camera package and lenses you have to hand to obtain exact ideas of shot angles and sizes on the location survey.” Darius Khondji ASC, AFC, ACS: Cinematographer Bardo, Okja, The Lost City of Z, Delicatessen, Se7en - "Artemis is the best cinematic tool of modern times. I started using Artemis in 2010 and have loved it ever since. It is so accurate with up to date lenses, cameras and formats. It is always with us on scouts and during shoots. Artemis allows the director and I to share how we see things with each other and with the rest of the crew.” Robert McLachlan ASC, CSC: Director / Cinematographer Landman, Yellowstone, Game of Thrones, Westworld - “On Game of Thrones we scouted locations months in advance. Artemis allowed me to communicate our needs to the VFX and art departments. It was critical in planning the Dance of Dragons sequence.” Artemis also offers: - Virtual Stand-Ins, to assist in blocking actors - Custom Frame-lines - Share camera & lens setups with other Artemis users - Record Images & Videos - Gallery for sorting and planning - Export of Shot-lists & Storyboards - Export of detailed Shot-Plans with sun position data (if paired with the Helios app) https://www.apple.com/legal/internet-services/itunes/dev/stdeula/