Grainsmith Field vs VisualSound

Grainsmith Field is a granular instrument for iPad and iPhone. Load a sound or record one live, then pull it apart into grains. Stretch and scatter it until it stops sounding like the source, or pitch it and play it like an instrument. It shares its granular engine with our desktop Grainsmith plugin, but it's rebuilt for touch. Field is a single multitouch screen: four XY pads control paired parameters (Density and Size, Jitter and Spread, Pitch and Reverse, Cutoff and Resonance), and a Morph control sweeps several at once. THREE PLAYHEADS Run up to three independent grain streams from one sample at the same time. Each head has its own position, speed, pitch, level, pan, grain size, and spread. Grab a playhead line on the waveform to move it independently, or move them as a group. Double-tap to gather them. Set a second head a fifth or an octave away and the streams blend into a single granular texture. MODULATION Six modulation slots drive the controls: LFOs and Euclidean patterns with per-route depth, assigned by long-pressing a knob. The MOVE dial sets the Morph macro itself in motion, and each destination drifts on its own phase. Rates sync to tempo, in the app or from the host clock. RECORD AND MANGLE Capture audio from your hardware input and granulate it as it comes in, or loop a phrase and let the engine chew on it. Scrub the waveform directly. Freeze the grain cloud to hold a sound for as long as you want. Run the stereo delay to smear the grain tails into echoes; it syncs to tempo too. Export captures as WAV to the Files app. RECORD YOUR PERFORMANCE Start a recording from the presets menu and everything you play is captured to a WAV file. Keep playing through app switches and screen locks; a Lock Screen Live Activity shows while recording runs. Recordings save to the Files app and share straight from Field. PLAY IT AS AN INSTRUMENT Switch to Instrument mode and play the grain engine from a MIDI keyboard: four-voice polyphony, an attack/release envelope, and a root-note control. The pitch ribbon snaps to musical intervals: Free, Chromatic, Scale, Octaves, or Oct+5ths, with twelve scale options and a probability control. Works with hardware MIDI in the standalone app and with host MIDI in AUv3. USE IT IN YOUR HOST The AUv3 music effect loads in AUM, Logic for iPad, and other AUv3 hosts. Parameters are exposed for host automation and MIDI learn. Your patch saves and restores with the session, including head count, every per-head control, the modulation slots, and pitch snap mode. ALSO IN THE BOX - Ten factory presets grouped by character, with a browser and a Favorites section for your own - Background audio: the standalone keeps playing when you switch apps - Reverb, stereo delay with tempo sync, filter, grain-shape windows, pitch randomization - Runs on iPhone with a compact layout No account and no subscription. Field collects no data.

---- Launch offer — introductory pricing for a limited time. The price goes up after launch week: now is the moment to patch in --- VisualSound is a modular instrument where sound and image are made of the same material. One canvas, one cable language: patch an oscillator into a filter, then patch the same signal into light, liquid and geometry. Nothing is a visualizer bolted on top — the picture IS the patch. ONE CANVAS, FIVE REALMS More than 140 modules across sound, control, visuals, geometry and code. Drag a cable and anything can play anything: an envelope strikes a fluid simulation, a sequencer bends a shader, a camera feed becomes an oscillator. INSTRUMENTS WITH OPINIONS • VYPER — a snarling acid bassline machine with slides, accents and pattern morphing. • KINETIC — a step-sequenced drum machine built on lovingly recorded classic analog kits. • KEYS — a playable polyphonic keyboard panel; on Mac, your QWERTY becomes the keybed. • SEQ, LFO, ENV, granular engines, a looper, a tape-stop, reels you can scrub like vinyl. LIGHT AS SIGNAL GPU-native visuals: shaders, feedback, bloom, fluid dynamics, sculpted 3D geometry. Point the camera at the world and use it as a texture. OCULUS tracks your hands and face so you can play parameters by moving. WRITE YOUR OWN MODULES — OR JUST ASK GRAIN is VisualSound's per-sample DSP language: code your own audio and visual processors right on the canvas. Tap the wand, describe the effect in plain English — "a dark tape echo that wobbles" — and an AI running entirely ON YOUR DEVICE writes the code, compiles it, and tells you honestly when something isn't possible. No cloud, no account. It works in airplane mode. (The AI brain is a free one-time download.) BUILT TO PERFORM Eight scenes with beat-synced morphing, motion loops, MIDI learn on everything, a timeline that can bend the tempo itself. Record your performance — audio and video — straight out of the app. PLAYS WELL WITH YOUR STUDIO Runs as an AUv3 instrument inside your DAW, and HOSTS your AUv3 synths and effects inside the canvas. MIDI in and out. Background audio. Files in, stems out. YOUR IPHONE IS THE REMOTE Install VisualSound on iPhone and it becomes VS Remote: a wireless control surface for the instrument running on your iPad or Mac, over your local network. No setup, no cloud. ONE PURCHASE, EVERY SCREEN Buy once and VisualSound is yours on iPad, Mac and iPhone. Same patches, same engine — the Mac gets QWERTY keys and plugin hosting depth, the iPad gets ten fingers on glass. PRIVATE BY DESIGN No accounts, no analytics, no ads. Your patches, recordings and prompts never leave your device. Privacy policy: https://visualsound.app/privacy/ Open the app and you land on Welcome — a living patch, already playing, wired for you to pull apart. That's the whole philosophy: understanding by unscrewing. Sound and light, patched together.